Scruffy 400 Bar will be reborn as a splashy Mall of America club

Jun 7, 2003: Gary Louris got carried away, literally, by Jeff Tweedy as they sang backing vocals while Jim Boquist, left, sang lead on a Golden Smog number at the 400 Bar in Minneapolis.
Jun 7, 2003: Gary Louris got carried away, literally, by Jeff Tweedy as they sang backing vocals while Jim Boquist, left, sang lead on a Golden Smog number at the 400 Bar in Minneapolis. (Stan Schmidt — Star Tribune/The Minnesota Star Tribune)

The old, dark and funky 400 Bar on Minneapolis' West Bank will be resurrected as a splashy Mall of America complex that will include a live-music venue, restaurant and music museum.

The mall announced Tuesday that the indie-rock bastion, which hosted early gigs by the White Stripes, Arcade Fire and hometown heroes the Jayhawks, will reopen in June on the MOA's fourth floor.

It could host as many as 1,000 fans for concerts — in contrast to the scruffy corner bar that squeezed in fewer than 400 ­people before closing in November 2012 after several years of steadily declining business.

"We want to provide a unique music experience," said 400 Bar business partner Joe O'Brien. "Tourists and locals will have the opportunity of experiencing educational programs and live entertainment in a fun, family-friendly environment."

O'Brien said the museum also will open in early June with a Beatles exhibit organized by the Grammy Museum in Los Angeles. A "pub-style" restaurant, run by the operators of Merlin's Rest Pub in Minneapolis, will follow soon thereafter.

While Minnesota musicians are usually receptive to a new venue that might hire them, some are skeptical about putting a revered indie institution in the megamall.

"I see it as the equivalent of McDonald's offering artisanal cheese," said Minneapolis rocker Adam Levy of the Honeydogs, who played dozens of gigs at the West Bank bar. "The Mall of America, and all its consumerism, and an iconic music venue with its history of independent music seems incongruous."

A Twitter backlash started almost immediately with the hashtag #400BarAtTheMall combining the names of bands and stores. Some examples: "As Seen on TV on the Radio," "CinnaBon Iver" and "Long John's Silversun Pickups."

O'Brien shrugged off the ­initial reaction as well as doubts about whether fans and bands from the old 400 will warm up to a venue in the MOA.

"We wholeheartedly think people will want to come there often," O'Brien said, pointing to the combination of daytime and nighttime business envisioned in the three-part approach. "We're putting in a lot of thought and effort into making sure it earns a cool reputation."

O'Brien said he signed on with the 400's co-owners, Tom and Bill Sullivan, a decade ago during their 17-year run at the 400, which had been a blues-folk hangout featuring Willie Murphy before the indie-rockers took over.

While the Sullivan brothers have yet to comment on the plans, O'Brien said they will be equal but not silent partners.

"You probably won't see them working the door every night like they used to, but they will be very involved in bringing in the bands," O'Brien said.

The old 400 Bar building was sold to the operators of the Banaadir Academy charter school to be used as a community center for the neighborhood's growing East African population.

The Mall of America hasn't had a regular live-music venue since the Gatlin Brothers music club, one of the mall's original tenants, closed after four years.

The new space formerly housed Players Bar & Grill; more recently, it played host to the traveling exhibits "Diana: A Celebration" and "Bodies: The Exhibition."

Some local musicians are excited that the Sullivans are returning to the live-music scene.

"I think it's great that Bill and Tom are involved with it," said Jayhawks bassist Marc Perlman, who used to tend bar at the 400. "I've seen many more music venues in malls, especially in the South."

"I never thought I'd hear the Sullivans and Mall of America in the same novel, not even the same sentence," said longtime Minneapolis rocker Kevin Bowe. "If Bill Sullivan can wrangle the Replacements on tour [he was their longtime tour manager], then I think he can do a club at Mall of America — and solve the Middle East situation at the same time."

Chris Riemenschneider • 612-673-4658

Jon Bream • 612-673-1719


400 Bar at the Ceder-Riverside area. - 1997 ORG XMIT: MIN2012122819063728 ORG XMIT: MIN1402041738251289
400 Bar at the Ceder-Riverside area. - 1997 ORG XMIT: MIN2012122819063728 ORG XMIT: MIN1402041738251289 (The Minnesota Star Tribune)
Gary Louris hopped got carried away, literally, by Jeff Tweedy as they sang backing vocals while Jim Boquist, left, sang lead on a Golden Smog number. GENERAL INFORMATION: MINNEAPOLIS - 8/7/03 - Golden Smog, the all-star, alt-country band featuring Wilco's Jeff Tweedy, Jayhawks' Gary Louris and Marc Pearlman, Soul Asylum's Dan Murphy, Iffy's Kraig Johnson and assorted others played a rare concert at the 400 Bar in Minneapolis Thursday night. ORG XMIT: MIN2014020417263057 ORG XMIT: MIN14020417382
Jeff Tweedy of Wilco, right, harmonized with Gary Louris of the Jayhawks and local hero Jim Boquist (left) during a 2003 gig at the old 400 Bar by all-star group Golden Smog. (The Minnesota Star Tribune)
about the writers

about the writers

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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Jon Bream

Critic / Reporter

Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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