Being in one of the best-loved bands in town — with a stylishly bookish look, plus an instrument hardly anyone else plays — has made Steve Roehm one of the most recognized musicians in the Twin Cities. It’s not often you hear him talk, though.
“We have sort of a Penn & Teller thing we came up with years ago, and it’s fine by me, except maybe it doesn’t serve my other projects so well,” said the vibraphone player of the New Standards, who always lets his better-known bandmates Chan Poling (also of the Suburbs) and John Munson (Semisonic) do all the talking on stage.
Roehm has plenty to say now about his inventive and playful jazz/rock/neo-twang instrumental group, the Neighborhood Quartet, which takes over the Parkway Theater on Sunday night to promote its infectiously groovy and — yep! — good-vibey, self-titled debut album. The band is made up of four esteemed Twin Cities sidemen, including drummer Greg Schutte, guitar/lap steel player Dan Schwartz and bassist Nick Salisbury.
Q: How does it feel being the one guy who’s made the vibraphone a cool instrument in the Twin Cities?
A: I sure hope that’s true. I’ve always played a lot of different instruments. At a certain point, though, I kind of just opted to push vibraphone as my brand. I’m not a super great player, actually. I don’t think anyone from Downbeat is ever going to give me a call as the world’s next great vibraphone player. But I think I’ve gotten pretty good at them. I also am good at using them to just entertain and to write music on.
Q: What attracted you to playing vibes in the first place?
A: I went to college at the University of North Texas trying to get a performance degree as a jazz drummer. To do that, you had to learn all the other keyboard and percussive stuff. So I took two semesters working on vibraphone. I struggled with it at first, but after about one semester something just kind of clicked, and my professors told me I was pretty good at it.
I then dropped out of college to tour with a punk band, Billy Goat, and then wound up back in Minneapolis around 1994. I didn’t really know anybody up here anymore, so I took to playing the vibes again. That led to forming a trio called Your Neighborhood Trio, where I played them full time. It was kind of fun and would get attention, since it’s kind of a niche instrument, and it’s fun to watch someone play it. After being a drummer for several years and always being at the back of the stage, I kind of liked getting the attention.