It's comforting to know that, in our battered economy, a diner can find refuge at Sanctuary.
Take chef Patrick Atanalian's tasting menu, for instance. It tastes like a splurge -- five lovely, well-paced courses -- but the final tab is $35, a deal in the big-bucks tasting menu world. Oh, and then the bar mimics Atanalian's creativity and frugality, charging $12 for four short matching wine pours.
It all feels very spontaneous. The changes-daily roster doesn't make it to the printed menu, it's just a brief verbal rundown. I'm shorthanding it here, but, "He's probably doing scallops, maybe pork, with a salad in there somewhere," followed by a hearty recommendation, is close to how our server described our impending meal one evening last week.
Fine by me, because judging from that dinner, I'm more than happy to place my appetite in Atanalian's capable hands: salmon tartare finished with traces of molasses and chipotle; shards of endive and apples dressed with sharp citrus-date accents; exquisitely caramelized scallops topped with cool Asian pears and smoky bacon, resting in a fragrant, spring-green pool of mint and cucumber.
A small sirloin with big, beefy flavor -- and a sprightly edamame purée -- was harmoniously paired against a velvety beef tartare. To finish, a just-perfect nibble of dense dark chocolate and a fine piece of manchego drizzled with lavender honey. Truly, it was quite the love fest: Loved the well-paired wines, the genial service, the cozy surroundings and the kitchen's finesse. And my inner cheapskate was all over the comparatively minimal assault on my credit card.
The restaurant, not far from the Guthrie Theater, is a playground for two familiar faces. Co-owner Michael Kutscheid has been a spiffy front man at more local restaurants than I can count; he's probably best known for Kapoochi, his short-lived downtown Minneapolis hot spot, which flared hot and flamed out in the mid-'90s. His is a very convivial hospitality, an increasingly rare commodity in the local restaurant scene.
Atanalian has headlined at the former New French Cafe, Loring Cafe, the Vintage and Kapoochi. He's never been shy about injecting breathlessness, whimsy and a bit of his inner mad scientist into his work (the antiquated word twee comes to mind).
But Atanalian may be mellowing. Or maybe the native Frenchman has embraced a culinary version of Coco Chanel's minimalistic decree that all well dressed women will stay that way by removing an accessory before leaving the house. At Sanctuary, Atanalian's seasonally minded cooking feels less frantic and more approachable, without losing the essence of his idiosyncratic style. The unlikely ingredient combinations are still there, but they whisper rather than shout. And in many instances they just feel right.