Photo by Barry J. Holmes/ rufuswainwright.com
A full house of 1,000 people went to see a solo Rufus Wainwright Saturday night at the Fitzgerald Theater and a VocalEssence concert broke out.
A world premiere, no less. Unadvertised. Written by Wainwright.
He explained that he'd composed "Bloom" as a five-movement piece for a dance by New York's Stephen Petronio Company. Wainwright sang all the vocal parts himself for a recording that accompanied the dance performances. So the Fitzgerald performance was a world premiere for "Bloom" delivered live by a choral group.
Using words from one Emily Dickinson and two Walt Whitman poems, the 20-some-minute piece also included some humming. VocalEssence, under the direction of Philip Brunelle, did a splendid job of presenting the work while Wainwright sat off in the wings.
But "Bloom" didn't connect with every Wainwright fan. After the concert, I overheard a couple debating about the choral number; she didn't like it and he was wowed by the VocalEssence's prowess.
In any case, the inclusion of "Bloom" cut into beloved cult figure Wainwright's time in this solo concert. We didn't get anything from his Judy Garland repertoire or anything by his father (Loudon Wainwright III) but we did get a song by his mother (the late Kate McGarrigle), "Hallelujah" (the Leonard Cohen standard that Rufus recorded for the movie "Shrek") and his classic "Cigarettes and Chocolate Milk."
The two-set, 1 ¾-hour concert was quite different from Wainwright's show with a band last summer at the Minnesota Zoo. This one lacked the depth, range and showmanship. But not the humor.