The Dakota. The Guthrie. The State Fair. The Fitzgerald.
Rosanne Cash wasn't looking for a different venue for her fifth Twin Cities appearance in the past two years. But the Minnesota Orchestra came calling with an idea: Sing with the symphony.
"I don't get nervous about shows, but I am nervous about this," said Cash, who will make her orchestral debut Friday at Orchestra Hall. "If it's just you and the band, if you miss an intro, the band will vamp and wait for you. If you forget a word, I make stuff up. I can't miss an intro. I want to be good for them. I'm really proud that I'm doing this. I want them to be glad that they're doing it with me."
Cash enlisted Austin, Texas, composer Stephen Barber to orchestrate nine of her songs, including her classic "Seven-Year Ache," a few selections from 2006's "Black Cadillac" and some tunes from "The List," a batch of essential American songs that her father, Johnny Cash, gave her when she was 18.
"I've heard a couple and they sound amazing," said Cash, who also will perform several selections with her regular band.
The Minnesota Orchestra's director of pops, Lilly Schwartz, pitched Cash's agent to see if she'd join the parade of singer-songwriters (Elvis Costello, Ben Folds, Josh Ritter) who have performed with the orchestra.
For Cash, "it's a grand experiment," she said, and she "wouldn't object" to booking more symphony gigs.
As it is, Cash is juggling various endeavors -- performing with her band and as a duo with her husband/producer/guitarist John Leventhal, marketing a new 36-song retrospective album ("The Essential Rosanne Cash"), speaking at conferences and promoting the paperback of "Composed," her 2010 memoir.