Roots, Rock & Deep Blues Fest
Usually spread across multiple stages around the Hook & Ladder, this three-day marathon of rootsy, gritty and/or just authentic Americana music had to be scaled back to a single outdoor stage this year but it still boasts optimal variety and cool factor. After Mae Simpson topped off opening night Thursday, the fest's trio of women headliners continues with local blasters the Gully Boys on Friday, when North Mississippi blues heir Kent Burnside returns with Missouri groovers the Flood Brothers. Saturday features song and guitar master Molly Maher with Her Disbelievers, preceded by Mississippi blues vet RL Boyce, Blues Music Award winner Lightnin' Malcolm and local fixture Erik Koskinen. (7 p.m. Fri.-Sat., 3010 Minnehaha Av. S., Mpls. $20-$24. Fri.; $30-$36 Sat. TheHookMpls.com)
Chris Riemenschneider
'Mixtape: I Forgot How to Do This'
The mixed-media performance combines comedy (host Shannan Paul), storytelling (Avi Aharoni, Matthew G. Anderson, Kathryn Fumie, Kymani Khalil and Anika Taylor), music (Micah Erickson, Don Lavis, Jesse River and Meghan Sherer) and live painter Chris Gorecki for an evening under the stars, atop the Bakken Museum. (7 p.m. Fri.-Sat., Bakken Museum, 3537 Zenith Av. S., Mpls. $22, waywardtheatre.org.)
Chris Hewitt
'Within, Between, and Beyond'
When the uprising following George Floyd's murder took over the Twin Cities, artist Leslie Barlow was out on the streets with her collective #creativesaftercurfew, painting murals on boarded-up businesses. But she also was working on a solo exhibition for the Minneapolis Institute of Art, with 16 portrait paintings and video interviews of transracial adoptees and mixed-race people, made in collaboration with clinical counselor Lola Osunkoya and photographer/filmmaker Ryan Stopera. The exhibition examines how race has a defining impact on people's identities and experiences, and what that does to the body. The title is borrowed from Maria P.P. Root's essay on mixed-race identity. (10 a.m.-5 p.m. Thu.-Sun. July 16-Oct. 31, Minneapolis Institute of Art, 2400 3rd Av. S. new.artsmia.org, 612-870-3000.)
Alicia Eler
Minnesota Orchestra
Major American orchestras refused to perform Florence Price's music for most of her life. Such was the consequence of being a Black woman in a field as shaped by prejudice as the rest of American culture. Now she's experiencing a well-deserved renaissance, and pianist Jon Kimura Parker launches his tenure as "creative partner for summer programming" by soloing on the orchestra's first performance of Price's Concerto in One Movement. Stepping in for guest conductor Dima Slobodeniouk, who encountered pandemic-related travel restrictions, music director Osmo Vänskä also will conduct Richard Strauss' "Death and Transfiguration." (8 p.m. Fri.-Sat., Orchestra Hall, 1111 Nicollet Mall, Mpls. $62-$12. 612-371-5656 or minnesotaorchestra.org.)
ROB HUBBARD