LOS ANGELES – Rosie O'Donnell has been a talk-show host, starred in movies and made guest appearances on TV series. But she hadn't been a regular cast member of a series until the new Showtime dramedy "SMILF," by Boston filmmaker Frankie Shaw.
"My agent sent me the short films that Frankie did, and I was blown away by both of them," O'Donnell said. "My agent said very meekly on the phone, 'This is not really an offer. You have to talk to her on FaceTime.' I was like, 'Get that woman on FaceTime. Let's see what we can do.'
"And I was just absolutely shocked by her talent and the message and the kind of feminist perspective that she had in a very universal way. And I was really thrilled to be a 55-year-old woman and see a 30-year-old woman being able to make those two pieces of brilliant art. It was like a dream come true. I said, 'I'll do anything that she needs or wants if she'll have me.' And she said yes."
"SMILF," which premiered last weekend, is based on a Shaw short that won a jury prize at the 2015 Sundance Film Festival. Shaw plays Bridgette Bird, a determined and independent single mom trying to deal with her extremely unconventional family. Her struggles to make ends meet often result in immature decisions, but ones that are always based on making a better life for her son.
O'Donnell portrays Bridgette's mother, Tutu, a tough, opinionated and narcissistic woman who's resistant to change of any kind. Tutu struggles with manic depression and has a volatile relationship with almost everyone in her life, especially her daughter.
Because the series is loosely based on Shaw's life, O'Donnell wanted to make sure she was doing justice to the character. She got the information she needed after splitting a couple of bottles of wine with Shaw's mother.
"We were lucky, we got to hang out a lot," O'Donnell said. "I spent Thanksgiving with Frankie and her family.
"I don't have a mom. My mom died when I was 10, so to see what would have been my mother's life in Frankie's mother was kind of a beautiful and healing thing for me. You know, it's working-class Irish people, and that's who I was growing up, and that's who you remain. It felt familiar, loving and really authentic.