Rob Reiner, who died Sunday at the age of 78 alongside his wife, Michele, had a career that was remarkable for its versatility. After breaking out as a sitcom star with “All in the Family,” he went on to direct more than 20 films. Reiner never stuck to one genre, dabbling in rom-coms, Stephen King adaptations and wordy dramas. Along the way he continued to deliver memorable turns as a performer onscreen, never losing his own comedic flair. Here’s where to watch some of his best.
‘All in the Family’
Reiner first became widely known on TV as Mike Stivic on Norman Lear’s groundbreaking sitcom. He became even better known for the insult of a name Archie Bunker (Carroll O’Connor) hurled at him: “Meathead.” With his mustache, long hair and bell bottoms, Mike’s very presence was aggravating to the conservative Archie. Reiner knew how to balance on the very fine line that Lear was walking: As a representative for progressive youth, Mike was often the bastion of reason against the bigoted Archie, but Reiner played him just goofy enough that you understood Archie’s annoyance as well. (Stream it on Pluto TV and Tubi.)
‘This is Spinal Tap’
As Reiner would tell it in an interview with CBS, it’s Lear who finally convinced executives to allow Reiner to make the rock mockumentary, telling his peers at Embassy Pictures, “Ya gotta let him do it, he’s so crazy.” Reiner co-wrote the wildly funny film along with Christopher Guest, Michael McKean and Harry Shearer, the three of whom play members of the fictional, dopey British band of the title. And while Reiner directed, perfecting the style that Janet Maslin wrote in her review was “indistinguishable from the real thing,” he also played a key role. As onscreen filmmaker Marty DiBergi, Reiner is an impeccable straight man, setting up Guest, McKean and Shearer for their most ridiculous jokes. (Stream it on HBO Max.)
‘Stand By Me’
The adaptation of King’s novella “The Body,” almost immediately became a coming-of-age touchstone, which was something of a surprise to its director. Before release, Reiner thought, “There’s no way this picture is going to do business, because no one who went to ‘Rambo’ will go to see our film.” A lyrical story about the friendship of four boys looking for a dead body, “Stand By Me” was a feat of casting. Reiner tapped rising stars Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell to be the leads. “If it wasn’t for Rob, the acting wouldn’t have been half as good,” O’Connell said. (Stream it on Netflix.)
‘The Princess Bride’
While “The Princess Bride” has become an indelible classic, it started as a passion project for Reiner, who was given the novel by his father, Carl. The story within a story (told by a wisecracking Peter Falk to his grandson, played by Fred Savage) tells of the beautiful Buttercup and her farm-boy love, Westley (Cary Elwes), who eventually becomes the Dread Pirate Roberts. But the joy is in the array of delightful performers Reiner assembled to create this colorful world. There’s Mandy Patinkin as the passionate Inigo Montoya seeking revenge; Wallace Shawn as the sputtering Vizzini; and Andre the Giant with a memorable turn as Fezzik. The movie nails both the sweeping romance as well as the divinely silly moments. (Stream it on Disney+ and Hulu.)
‘When Harry Met Sally …’
Rom-com fans have been in love with this Reiner film for decades, and the way it presents a picture-perfect version of Manhattan while its characters squabble. Though “When Harry Met Sally …” is best regarded as one of Nora Ephron’s towering works as a screenwriter, Reiner’s directorial stamp is all over it. In fact, he was the one who suggested Ephron write a script about the differences between men and women after a lunch where she was uninterested in another project Reiner and his producing partner Andrew Scheinman were pitching.
“She interviewed us like a journalist, got all these thoughts down, and that became the basis for Harry, and she became the basis for Sally,” Reiner later said. Reiner also put his mother in the famous Katz’s scene where Sally fakes an orgasm, allowing the older woman to deliver the enduring line, “I’ll have what she’s having.” Perhaps most crucially, Reiner suggested a change of ending after he met his wife, Michele, on the set. Initially, Harry (Billy Crystal) and Sally (Meg Ryan) were going to go their separate ways. After falling in love himself, Reiner advocated for a happier conclusion. (Stream it on Starz.)
‘Misery’
After “Harry Met Sally,” Reiner swerved. Diving back to the world of Stephen King for “Misery,” Reiner directed the story about a romance novelist, Paul Sheldon (James Caan), who is kidnapped and tortured by his biggest fan, Annie Wilkes (Kathy Bates). Reiner said that while he was not a fan of horror, he did identify with the Paul Sheldon character, as an artist associated with one very famous work. (In Reiner’s case, that was Meathead.) “What was intriguing to me was not the horror aspect so much as the torture, the turmoil, the angst that any creative person goes through in order to try to create, in order to try to grow,” he said. (Buy it on Amazon, Apple TV and Fandango at Home.)