Richard Iglewski could elicit roaring laughter simply by walking onstage at the Guthrie Theater. A mainstay at the theater for a quarter-century, he acted in about 90 shows at what was his artistic home from 1985 to 2009.
But his love of theater began to sour after a personal tragedy, and he became estranged from the field that he mastered.
An intensely private man, Iglewski, 61, died recently. The Guthrie confirmed his death, but could not give a date, place or cause. There's no known information about services.
"It's such a sad situation," said press representative Lauren Mueller.
Known as Julio to friends — a name that was supposedly easier to pronounce than his Polish surname — Iglewski grew up in the Chicago area before moving to the Twin Cities to practice his passion. Tall and rotund, he could speak volumes simply by raising an eyebrow.
"He was one of the most accomplished actors I have ever worked with," said former artistic director Joe Dowling in a message from Ireland. "Julio was a completely instinctive actor who responded to his character with complete personal identity and conviction. While he could work closely with a director that he trusted and was generous with his fellow players, he was always true to his own instincts, and each performance was sculpted from his imagination and his unique physique."
Ethan McSweeny directed Iglewski in several shows at the Guthrie, including "Gross Indecency: The Three Trials of Oscar Wilde." He likened the rehearsal process to watching "Rembrandt paint a portrait in some kind of time-lapse footage: little daubs of color applied, a mark here, a splotch there, and until the master was finished and revealed the portrait, you couldn't imagine how all those little brush strokes would combine into a remarkable whole — a living character," McSweeny said.
Iglewski appeared in a dozen productions of "A Christmas Carol" at the Guthrie and had numerous Shakespeare credits as well: "The Merchant of Venice," "Romeo and Juliet," "Othello" and "Twelfth Night." He applied his talent to dramas and comedies alike, classic and contemporary.