Dennis Lehane's tightly focused cinematic style made such books as "Mystic River," "Gone Baby Gone" and "Shutter Island" great material for screenwriters. His finest novel, 2008's "The Given Day," though, is simply too ambitious to be condensed into the typical two-hour movie.
It's a 700-page sprawler set in 1919, a tumultuous year in America and particularly in Boston, where police went on strike, a river of molasses flowed through the city's streets, Babe Ruth enjoyed his final year as a Red Sox star and civic corruption was rampant.
The Bambino is part of big cast of historical figures in the book, from Calvin Coolidge to J. Edgar Hoover, but it's the fictional Coughlin family that is at the center of the narrative.
Lehane continues to follow one member of that family, Joe Coughlin, first in "Live by Night," in which Joe becomes a successful and dangerous mobster during Prohibition, and now in "World Gone By," set in Florida 10 years after his criminal empire collapsed.
The backdrop is the port city of Tampa, Fla., with its diverse communities of Cuban immigrants, Southern aristocrats, segregated black neighborhoods and criminal gangs with East Coast roots. Lehane sketches this polyglot scene in broad strokes — sometimes too broad, as his characters are mostly stereotypes rather than individuals.
In contrast, Coughlin's character has shades of black and white — a coldblooded killer who treasures his son and late wife; a cynic who trusts no one, yet maintains a close friendship with a mobster; a man of no illusions about women, yet who has fallen in love with Vanessa, the mayor's wife.
He's living a respectable life in Tampa, using his smarts to counsel various mob figures, including Meyer Lansky and Lucky Luciano, and keeping the local crime factions at peace. Government agents worried about Nazi smugglers are interested in his influence on the shipping business.
Occasionally, a ghostly figure from "The Given Day" appears, to trouble him.