Where most Gen-X indie-rock singers shudder at the thought of becoming outdated oldies acts, Kathleen Hanna actually pined for it Thursday night at the Palace Theatre in St. Paul.
The full-capacity crowd's visibly visceral reaction to her band Bikini Kill's performance, however, proved that was just wishful thinking on her part.
"We're in our 50s now, and we're still punky," the feminist rock hero said toward the end of her '90s outfit's first Twin Cities gig in a quarter-century — as if she was surprised to still be in the fight.
"Sadly, I wish the songs were all irrelevant, and we seemed ridiculous right now," she bluntly added.
After hearing Hanna and her bandmates tear through such sexism-lampooning, equality-bolstering songs as "Alien She," "DemiRep" and "Carnival" — and hearing her often riveting comments in between about the idiocy/patriarchy that inspired them — it was clear the singer wasn't kidding. She truly appeared peeved that her band's material remains so applicable and applaudable in the year 2023.
Thursday's all-ages audience sure seemed to appreciate Bikini Kill being back out on the road, though.
A flagship band in the riot-grrrl movement from Olympia, Wash., the minimalist but manic punk rockers broke up in 1997 and remained sidelined for all of the 21st century right up until the Trump administration. Then when they did finally start a reunion tour in 2019, they got sidelined by COVID-19.
Thus, there was an extra dose of "at last" enthusiasm as young fans too young to have ever seen the band live pressed up against the stage and jumped around the packed floor with fervor, starting in the opening tunes "New Radio" and "This Is Not a Test." Older Gen-X-age fans watched with knowing admiration and broad smiles from the balcony.