ORCHESTRA
Can we afford it? Please, look around
The Oct. 6 editorial ("A change in key ...") asks if the nation's 15th-largest market can continue to support a Top 10 symphony orchestra. What a shocking and unfathomable question. In a couple of years, Minnesota will boast four new sports stadiums -- Gophers, Twins, Vikings, Saints -- totaling more than $1.8 billion. Yes, billion. The Minnesota Orchestra's current budget gap of $6 million is a pittance by comparison.
When I moved here in the late 1960s, Minnesota was known as "flyover land" outside the Midwest. What put the Twin Cities on the national map was not sports, but the arts, thanks to our internationally acclaimed Minnesota Orchestra, St. Paul Chamber Orchestra, Guthrie Theater, and Children's Theater, along with the Minnesota Opera, Jungle Theater, Penumbra Theatre, Illusion Theater, Ballet of the Dolls, TU Dance, Walker Arts Center, Northern Clay Center, Minneapolis Institute of Arts, Russian Art Museum, and an equally magnificent remainder that would fill this newspaper page. The question posed in the editorial is a sad and disturbing commentary on our priorities and quality of life. Let the outcry begin.
SANDRA NELSON, MINNEAPOLIS
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The battle for the future of the Minnesota Orchestra is obviously important to the character of the Twin Cities and the state. Saturday's editorial seemed to raise the question of whether a world-class orchestra is something Minnesota can afford to maintain. This is obviously a central question. The reality is that nothing less will survive here. Music lovers can hear recordings of world-class orchestras any time at little or no cost. Why then pay to attend a live concert? The live performance by a fine orchestra reveals layers in the music that cannot be captured and replayed on even the best home equipment. Replace that fine orchestra with an ordinary orchestra, and the recordings are just as good or better.
TOM JONES, ROSEVILLE
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Critics have hailed the Minnesota Orchestra as one of the world's best, and we have been enjoying it for many years, perhaps on the cheap. I am fed up with audiences being held hostage because management refuses to raise ticket prices to a level that would cover the orchestra's payroll. It is time for audiences to start paying their fair share or suffer the consequences.