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We are in the middle of some kind of Shakespearean tragedy. If you doubt this, just listen to Homeland Security Secretary Kristi Noem and President Donald Trump’s version of the Immigration and Customs Enforcement killing of Renee Nicole Good in south Minneapolis versus that of Mayor Jacob Frey, other local leaders and eyewitnesses.
The three witches in Shakespeare’s “Macbeth” end the first scene predictively: “Fair is foul and foul is fair; hover through the fog and filthy air.” Given the “fog and filthy air” of the witches’ distortion, the disastrous development and outcome of that tragic play — and the current state of our country — is all but certain.
In another Shakespearean tragedy, “Hamlet,” the main character, when asked what he is reading, says, “words, words, words,” as if language has lost meaning and clarity. Such seems to be the plight of our Constitution and established laws and precedents, which are simply “words, words, words” whose import is malleable. The commonly understood and accepted meaning of those “words” is open to reinterpretation by those in power: the Supreme Court, the administration and its supporters.
In fact, language itself, which constitutes our “commons” of communication, is open to revision. Thus Jan. 6, 2021, becomes a “love fest,” the Minneapolis ICE killing is prompted by “an act of domestic terrorism” and the invasion of Venezuela is a “law enforcement operation.”
We appear to be in a period of absolute and divisive relativity, which, given the dark arc of tragedy, does not bode well.
Van Anderson, Minneapolis