John Thorn, 63, was recently named the official baseball historian for Major League Baseball, and it's not hard to understand why. He has authored several books, including his most recent, "Baseball in the Garden of Eden: The Secret History of the Early Game," which takes a hard look at the origins of the sport. He will appear Tuesday night with Garrison Keillor at the Fitzgerald Theater to talk about the book. Last week, Thorn was kind enough to answer some questions from the Star Tribune's Michael Rand.
Q How did you get so interested in baseball history -- and in getting to the bottom of stories that maybe haven't been told before?
A I started in college [Beloit College in Wisconsin] as an English major and math major, which is an odd pairing. It wasn't until my sophomore year that it became clear my talents lay more in the literature line. ... The analytical path I was trained in for literature made me curious and kept me attuned to the idea that there might be subtext -- that the accepted story may not be quite so.
Q Does it get harder as time passes to convince people that a story isn't how they think it is?
A I think facts, no matter how diligent and how voluminous, will not kill a legend. Legend is always more powerful than fact. Abner Doubleday [often credited with inventing baseball] will survive -- not in fact, but in the same way that we think about Santa Claus as the father of Christmas and Dracula as the father of Halloween, Abner will be the father of baseball. My aim is not to get rid of Doubleday. But I believe the real story, the messy story, is so much better.
Q With the most recent book then, is that what you were trying to achieve -- to get into the details of what may have really taken place with the origins of baseball?
A Over the nearly 30 years I researched the book, my perspective shifted. Originally, I set out to get the story straight and untangle the myths from the facts. Midway through, it became more interesting to me to determine why people were bothering to create these stories.
Q You played a prominent role as senior creative consultant on Ken Burns' "Baseball" documentary. How much of a challenge was it to fit that into the 18-plus hours -- even though that seems like a lot?