Pop star Lana Del Rey, resplendent in a short, white embroidered dress and sparkly gold stilettos, suddenly plopped herself on the stage at Target Center on Friday night.
Lying on her back and ignoring the audience, she crooned "Pretty When You Cry." "I'll wait for you, babe, that's all I do, babe," she intoned in her passionless voice. "Don't come through, babe, you never do. Because I'm pretty when I cry."
That moment was about as animated as Del Rey got during her 90-minute concert — her first ever arena show.
A beloved cult figure since her bestselling 2012 album "Born to Die," the Los Angeles chanteuse was making her overdue Twin Cities debut Friday. She said she chose Minneapolis as the first stop on her L.A. To the Moon Tour because half her best friends live here and her brother Charlie calls Minneapolis home, too. Who knew?
That was about as personal as Del Rey got. Her bit is to perform highly emotional songs without any emotion. Call it affect or artifice or performance art. Whatever it is, some 9,000 fans responded enthusiastically.
Del Rey, 32, didn't exactly mount a production to catch your eyes or grab your ears. The stage was sort of a lagoon set — faux rocks, palm trees and water projected on the stage with two dancers/backup singers. It was fun when they went back-and-forth on giant rope swings that descended from the rafters.
Del Rey later sat on one of the swings during part of her hit "Video Games," but she never did really swing. Remember, she doesn't get animated. She occasionally strolled around the stage, sitting on a pool lounge chair to perform a couple of tunes. She even smiled a time or two. And she ventured into the pit in front of the stage twice to greet fans and take selfies.
Del Rey has an alluring voice that was more convincing live than on four bestselling records. She showed more vocal range live than on disc, where she seems confined to mostly her contralto range. However, while her mesmerizing misery may appeal to some on record, it was monotonously melancholy in concert.