Minnesota filmmaker Matt Addington of Cannon Falls stumbled into a can't-miss story when he met Keng Yang, a young Twin Cities techie reborn as an avid pheasant and waterfowl hunter.
Yang wasn't merely a nonhunter before he first picked up a shotgun as an adult. He was a nature-loving, anti-hunter who shuddered at his own father's pursuit of deer, upland birds and other wild game.
Then came Kaiya, a female German Wirehaired Pointer. The puppy was acquired by the elder Yang for future breeding — a life that his son viewed as limited. On an impulse, Keng adopted the puppy and felt an instant change of heart.
"I started to ask myself what's the best life I can give her,'' he said. "She's a hunter. That's what will make her happy. I'll hunt."
Addington's 16-minute movie, "Kaiya,'' is premiering this week with other hunting movies at the National Pheasant Fest & Quail Classic in Minneapolis. Far beyond a typical story about adult-onset hunting, the film conveys how Kaiya healed an emotional rift between a father and son who were born in different worlds.
Tony Yang was raised in a Hmong clan in Laos where hunting wild game of all kinds, in all seasons, was mostly for sustenance. He immigrated to the U.S. and in 1988 married his sweetheart, Lee Moua. Keng was born to them in San Diego, but the family moved to north Minneapolis when he was 3.
Later, they moved to Crystal and then to Brooklyn Park near a creek where Keng fell in love with wildlife, once raising a brood of abandoned ducklings. As a student at Osseo High School, he was thrilled to take a course in wildlife biology.
Raised by parents who placed a strict emphasis on education, with few extracurriculars, Keng obsessed over waterfowl, their migrations and other wild creatures as "an escape from home,'' he said.