Pearl Jam's 32-song Xcel Center set list

"Alive" and "Rockin' in the Free World" capped off the second encore under bright house lights.

October 20, 2014 at 4:59AM
(The Minnesota Star Tribune)
A low-lit Eddie Vedder near the start of Sunday's Pearl Jam concert at Xcel Energy Center. / Jeff Wheeler, Star Tribune
A low-lit Eddie Vedder near the start of Sunday's Pearl Jam concert at Xcel Energy Center. / Jeff Wheeler, Star Tribune (DML - Star Tribune/The Minnesota Star Tribune)

If you got dragged to Sunday's Pearl Jam show unwillingly and somehow never warmed up to the band during the duration of the performance, then it must've been one excruciating night.

I'd read reviews from prior shows on this jaunt and knew it would be a long one, but I was even surprised how the band just kept going. When the house lights came up for "Alive" during the second encore, it just screamed "finale!" Sure enough, though, the show even rolled on from there, with "Rockin' in the Free World" blaring out under the bright lights, curiously followed by the much more languid but similarly provocative "Indifference."

The show clocked in at 3 hours and 10 minutes in the end, with 32 songs. Click here to read the full review.

Here's the set list:

Pendulum / Release / Nothingman / Go / Life Wasted / Corduroy / Lightning Bolt / Mind Your Manners / Save You / Even Flow / Sirens / Love Boat Captain / Daughter / I Got Id / The Fixer / Unthought Known / Given to Fly / Rearviewmirror

ENCORE 1: Elderly Woman Behind the Counter in a Small Town / Thin Air Footsteps / Imagine (John Lennon cover) / Last Kiss (Wayne Cochran cover) Why Go / Do the Evolution / Porch

ENCORE 2: Black / Setting Forth (Eddie Vedder solo song) / Better Man / Alive / Rockin' in the Free World (Neil Young cover) / Indifference

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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