Our five faves of the moment: 'Blue Ruin,' All My Relations, 'The Double,' Nikki Lane's CD, 'Shrek' at CTC

May 17, 2014 at 7:00PM
In an undated handout photo, Macon Blair in “Blue Ruin,” written and directed by Jeremy Saulnier, his friend since childhood. The final cut of the film reflects the moviemaking pair’s childhood love of blood splatter, makeup effects and extreme, shocking violence, but the dark, pained tone is also filtered through their adult awareness that violence can have horrible consequences. (Radius TWC via The New York Times) -- NO SALES; FOR EDITOR
Macon Blair in “Blue Ruin,” written and directed by Jeremy Saulnier, his friend since childhood. (The Minnesota Star Tribune)

1Beloved at the Cannes film festival, "Blue Ruin" hits the bull's-eye for taut suspense, sharp characterization, stylish direction and quirky, confident storytelling. There's a care and precision to its craftsmanship that will earn it a spot on many "Best of 2014" lists. It tells the story of Dwight, who became a homeless drifter after the 1990s murders of his parents. The alleged killer is about to be released. Dwight, a gentle man-child, determines to kill him, though he has no assets, no combat skills and no plan. His quest becomes a dark, Coen-esque comedy of errors.

2 In "Where I Fit," her debut exhibit as a textile artist, Maggie Thompson, of Minneapolis, demonstrates remarkably mature skills in weaving, knitting, screen printing and conceptual design. Like many American Indians, she is of mixed heritage, a fact she deftly explores in her "Family Portrait" piece. With more than 30 fabric samples, the show would be a triumph as a midcareer retrospective, but for a 2013 college grad, it's a stunner. www. allmyrelationsarts.com

3 "The Double" is a nail-biting comedy in which deadpan humor and dismay are near neighbors. Jesse Eisenberg plays two characters — a meek, unnoticed functionary who lives in the No. 1 neighborhood for suicide and a glib back-slapper/back-stabber with a genius for self-promotion. Of course, they compete for the same young woman. It succeeds as comedy, as a creepy psychological study and as an unnerving acknowledgment that most of us are fairly anonymous cogs in the world's vast, clunking machinery.

4 Black Keys frontman Dan Auerbach apparently has a thing for sweet-voiced, whiskey-soured Southern female singer/songwriters (see Jessica Lea Mayfield, Valerie June), and Nikki Lane is the latest to take good advantage of his producer talents. The North Carolina-bred twang-rocker's second album, "All or Nothin'," shows vintage traces of Wanda Jackson and Loretta Lynn but has more of a punkabilly edge that's like Southern Culture on the Skids without the kitsch.

5 Director Peter Rothstein keeps the tempo fast and the spirits high in "Shrek the Musical," Children's Theatre Company's adaptation of the smash animated movie. Autumn Ness as Fiona is a delight in her second-act musical number, where she and the ogre Shrek turn belching and passing gas into a competitive sport. The other standout in this cast is Adam Qualls' Lord Farquaad. Walking around on his knees, with tiny legs hanging from the front of his costume, he has a marvelous time posturing, posing and preening. childrenstheatre.org.


"Where I Fit" textile by Maggie Thompson
"Where I Fit" textile by Maggie Thompson (The Minnesota Star Tribune)
Jesse Eisenberg in THE DOUBLE, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures. Photo credit: Dean Rodgers
Jesse Eisenberg in “The Double.” (The Minnesota Star Tribune)
Nikki Lane "All or Nothin" album cover
Nikki Lane "All or Nothin" album cover (The Minnesota Star Tribune)
credit: Dan Norman Reed Sigmund and Autumn Ness in "Shrek the Musical" at Children's Theater Company.
Reed Sigmund and Autumn Ness in “Shrek the Musical” at Children’s Theatre Company. (The Minnesota Star Tribune)
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