For Glen Hansard, the royalties have been rolling in from the film and Broadway versions of "Once." So he doesn't mind that the musical duo that grew from that Oscar-winning project, the Swell Season, is on hiatus. His rock band, the Frames, is on an extended break, as well. Why not, the Irish singer- songwriter figured, take some time off himself.
"It never happened. Sometimes the body needs a rest but the creative spirit don't stop, you know," said Hansard, who will headline Saturday at First Avenue.
"The part where the music is, it almost seems to come to life when you're really tired. You're kind of getting your own ego out of the way. You have to follow the music. The music doesn't have any respect for what hours you sleep."
So, after more than 20 years in the recording business, Hansard made his first solo album, "Rhythm and Repose."
"It was never something that A) was at my core or B) something I was jumping to do," he said.
"Rhythm and Repose" is a melancholy album filled with lonely, aching ballads. Sure, there are hints of Van Morrison -- especially on the gently upbeat, lightly soulful single "Love Don't Leave Me Waiting" -- but mostly it's a contemplative collection, crafted by a guy ruminating in a New York apartment, presumably about the romantic breakup with his Swell Season and "Once" partner Markéta Irglova. (She is heard on one song, the slow-burn "What Are We Gonna Do.") The low-key album is filled with world-weariness and Irish passion that assures us that while breaking up is hard to do, there's still the promise of tomorrow.
In concert, Hansard -- who memorably opened solo for Eddie Vedder last year at the Orpheum -- promises to play songs from all phases of his career.
"I wouldn't restrict it to one identity," he said. "The one constant is the guy who writes the songs, and he doesn't change that much."