To her biographer, James Gavin, Peggy Lee was the definition of cool.
To the Twin Cities' sassiest song stylist, Davina Lozier, Lee was a "sophisticated, multifaceted artist — not just a cute girl onstage."
To New Standards maestro Chan Poling, Lee was "a kind of naughty, bad-ass rock singer with jazz overtones."
The many facets of Lee will be explored in a musical biography Monday at the Guthrie Theater in Minneapolis with narration by Gavin and music sung by four divergent vocalists — Nellie McKay, Catherine Russell, Jonatha Brooke and Lozier — backed by an expanded version of the New Standards. Between songs, Gavin will explain why he titled his 2014 biography "Is That All There Is? The Strange Life of Peggy Lee."
"Peggy Lee's life was a musical version of 'The Twilight Zone,' " said Gavin, a regular New York Times contributor who also wrote biographies on Lena Horne and Chet Baker. "Peggy was a mystery figure. She was the definition of cool. There was a lot of withholding, a lot of secrets swirling around her as she sang. A lot happening in the eyes that wasn't explicitly spelled out. At her strangest, she bordered on insane."
Born in 1920 near Jamestown, N.D., she had an impoverished upbringing on a farm where no one in her Scandinavian family ever complained. "She developed this very controlled facade; underneath was a deep and murky river of very violent emotions," Gavin noted.
"Peggy was always a peculiar presence. You felt a strangeness when she sang, as well as sex appeal, swing and romance."
After she moved to Hollywood and her career took off, she had drinking problems and then graduated to downers, especially Valium, in the late 1960s. She went on to live in a fantasy world in the mid-'70s, with anger and a bizarre sense of humor, Gavin explained. "She later acknowledged that she was a weird little child with a strange imagination."