It's hard to imagine that the New Pornographers even know the word "happenstance," let alone live by it. The band's music, though often exuberant and upbeat, is always tightly wound and intricately arranged. Yet lead singer Carl Newman isn't quite sure which New Pornographers will make it to the Rock the Garden concert at Walker Art Center on Saturday -- and he's not too concerned.
"We're a band that functions with three different lineups," says Newman, audibly shrugging over the phone. "We kind of have to fill in the blanks, or we cease to exist."
The New Pornographers formed in Vancouver, British Columbia, in 1996. Its members were also in more popular bands, and while the Pornographers have since eclipsed some of those, members Dan Bejar and Neko Case have seen their solo careers flourish. This, of course, makes touring tricky. Case and Bejar were both with the band when it played First Avenue last fall, but this rarely happens.
The ever-changing lineup "is kind of a unique situation," acknowledges Newman. "It does give us an ability to roll with it, which is a good skill to have."
It wasn't easy at first. The band unexpectedly grew in popularity after its first record, "Mass Romantic," exploded onto the scene in 2000 on the strength of its hummable songs and pure pop energy (albeit with downer song names such as "The Slow Descent Into Alcoholism" and "Centre for Holy Wars"). Suddenly, these friends from different bands had to figure out how to make their moonlighting gig a reality.
The Pornographers found kindred spirits in fellow Canadians Broken Social Scene, whose members include Emily Haines (of Metric) and Feist. The collective has a rotating roster of 11 people, and plays gigs with whoever is available.
"It was actually thinking of them," says Newman, "that made me decide we should keep playing, even without the full band." Newman can't say what lineup will appear on Saturday, but he's definitively counting out Bejar.
The New Pornographers often "roll with it" musically as well, sometimes drastically changing a song during the recording process. "We never go into the studio with any real plan. We just let it evolve. It's always been pretty organic, and I like that quality," says Newman. He adds, "I'm usually the one tearing apart my own song. I'm not precious about tearing apart or reassembling it, or tossing it out ... The song takes a life of its own. It can add a lot of extra work for me, but I don't mind."