The plumbing in Kathleen Battle's New York apartment has sprung a leak. The building's super is at her door. "A little emergency," she calls it.
Battle is not unacquainted with crisis. Indisputably among the great singers of her generation, she is a soprano with a past. People who know almost nothing else about her are apt to recall her dismissal from the Metropolitan Opera for such "unprofessional actions" as missed rehearsals, scathing criticism of colleagues and assorted diva-ish excesses. Other houses followed the Met's lead.
But the Met melodrama was 14 years ago, and Battle has moved on. She appears with orchestras and sings recitals. Her current recital tour, which includes a much-anticipated return to Carnegie Hall, brings her Sunday to Minneapolis for the first time in 10 years.
The woman I meet by phone is gracious, if not much given to introspection. Her small speaking voice has a vaguely Southern charm. (She was born in Portsmouth, Ohio, just across the river from Kentucky.)
Only when I mention that she's turning 60 in August does she appeal to her publicist, who is monitoring our conversation. "We don't want to go there," the publicist says.
Q Why so long since you last sang in the Twin Cities?
A It has been some time, and I'm happy to be returning. I have friends in the Twin Cities, and I've come there not just to do my own concerts but also to hear Prince -- I'm a fan. And I've sung with the orchestra a number of times, though my first engagement in the Twin Cities was at the Ordway.
Q Could you give us a preview of your program?