More on Foster the People's Fine Line set

The L.A. dance-pop band played 12 songs in 50 minutes, which was long enough for Mark Foster's voice to grow old.

June 13, 2011 at 4:29PM
(The Minnesota Star Tribune)
Foster the People played to a packed Fine Line crowd for its first local headlining gig. / Photo by Marlin Levison, Star Tribune
Foster the People played to a packed Fine Line crowd for its first local headlining gig. / Photo by Marlin Levison, Star Tribune (The Minnesota Star Tribune)

A few things about Saturday's way-sold-out show at the Fine Line with Foster the People that didn't make it into the review for print: 1) Mark Foster's willowy, whimpery voice is charming in short bits, but it really started to have a grating effect by show's end. 2) The final song, "Don't Stop," stood out from the rest of the synth-pop pack with its crunchy guitars and brawny gusto -- but it too was derivative, sounding like a remake of Blur's "Song 2" the way it seemed to be baiting sports-arena play. 3) Santa Barbara-reared opening band Gardens & Villa was a real treat, playing similarly dancey, falsetto-voiced synth-pop but with more subversive, Grizzly Bear-esque arrangements -- and with a heavy smattering of flute! That was the second flutist-equipped rock set I saw this week (after Iron & Wine on Wednesday), but it was made cooler by the fact that frontman Chris Lynch carried his grab-bag of flutes strung over his shoulder in a Robin Hood-looking arrow holster.

Foster the People has already booked a bigger return engagement Oct. 6 at First Avenue with opening band Cults, who have one of this year's best debut albums. Here's FTP's set list from the Fine Line:

Warrant / Miss You / Houdini / Waste / Call It What You Want / Life on the Nickel / I Would Do Anything / Broken Jaw / Pumped Up Kicks ENCORE: Helena Beat / Don't Stop

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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