Review: Minnesota hip-hop vets Atmosphere finally get their best day at the fair

The Minneapolis indie-rap duo brought some all-star friends to its first-ever appearance at the grandstand.

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The Minnesota Star Tribune
August 24, 2025 at 4:12AM
Slug gestures to the hometown crowd that turned out for his group Atmopshere's first-ever performance at the Minnesota State Fair grandstand on Saturday. (Chris Riemenschneider/The Minnesota Star Tribune)

Drawing the biggest crowd ever for a homegrown hip-hop act at the Minnesota State Fair grandstand was just one of many reasons Saturday’s concert by Atmosphere felt like a truly big deal.

After packing the fairgrounds with their Soundset festivals every Memorial Day weekend in the late-2010s — and playing to plenty of other big hometown crowds over their 30 years together — Atmosphere rapper Slug and his DJ cohort Ant could have been blasé about their belated debut at the fair’s big stage. (The main reason they never played there was because the fair too closely followed Soundset for so many summers.)

On the contrary, the indie-rap pioneers went all out to make it a memorable, and maybe even historic, night. They brought along three other seasoned, esteemed rap acts from other cities: Los Angeles vets Cypress Hill and the Pharcyde, plus Chicago hitmaker Lupe Fiasco. They also recruited longtime homie Brother Ali to make a rousing surprise appearance at show’s end.

And they just brought it in general. After modern Minnesota pop-rap star Yung Gravy’s hair-brained 2023 appearance and some other questionably light and fluffy hip-hop performances on the grandstand over the years, this was one rap concert that hit hard and was full of heart and personality.

The scene: A resoundingly millennial- and middle-aged crowd — lots of Twin Cities babysitters will have extra spending cash for the fair’s nine remaining days — most of the 12,306 attendees were old enough to have caught Atmosphere’s original Soundset parties at First Avenue in the late-1990s. Throw in the cool summer’s-edge weather and a blazing sunset, Saturday’s show was a reminder of what made those full-scale Soundset fests of the 2010s so enjoyable beyond the great music.

The music: It was a good night in the music department, too. Despite the old-school crowd, Atmosphere dropped in a heavy smattering of recent tunes early in its set as if to reiterate that it’s still cranking out new records and putting some fresh spins on its sound every couple of years.

The night’s newest tune, “Really” — from next month’s upcoming record “Jestures” — showed a reggae dancehall influence that paired nicely with Cypress Hill’s overtly weedy performance. Other modern songs like “Okay” and “The Loser Wins” followed a similar feel-good, problems-shrugging vibe. Later in its 75-minute set, though, Atmosphere went way, way back to mark its 30th anniversary with “God’s Bathroom Floor” and “Scapegoat.”

Conversely, Cypress Hill stuck largely to its best-known tunes from more than a quarter century ago. Those included “Insane in the Brain” and “Hand on the Pump” near the start of its hourlong set, and “I Ain’t Goin’ Out Like That” and “(Rock) Superstar” near the end — each heavily pumped up after all this time by the band’s stellar drummer, Eric “Bobo” Correa.

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Biggest takeaways: If a hip-hop act can still draw sizable crowds 30 years into their careers, they aren’t doing it with help from oldies radio play or newbie discovers on TikTok. They’re doing it with their live shows. Saturday’s performers have all leaned into their live act for sustenance over the years, including the more recent Mr. Fiasco, who lit up the crowd earlier in the night with his 2007 hit “Superstar.” There was a much-welcome old-pro prowess on display throughout all of Saturday’s concert.

Coolest moment: Atmosphere had several standout moments, including getting the crowd to torchlight the whole grandstand during “Flicker,” the group’s still-touching 2014 tribute to late St. Paul rapper Eyedea. However, Cypress Hill turned in the night’s edgiest and most thrilling moment when it covered Rage Against the Machine’s radicalization anthem “Bombtrack” as its penultimate song.

“Dangerous times call for dangerous songs,” B-Real said as Bobo laid into the Rage song’s explosive rhythmic countdown. The crowd seemed to wholeheartedly agree.

Low point: After making an appearance to throw T-shirts out to the crowd right before Cypress Hill went on, the fair’s furry mascot Fairchild might smell conspicuously like an overused bong come Sunday morning based on all the wacky-tacky smoke he absorbed coming out of the crowd at that point. Sorry, kids!

Best banter: After commenting on the size of the crowd, Slug took note of some other attributes early in Atmosphere’s set.

“I’m trying to read the room, and the first thing I read is that you all are old,” the 52-year-old Minneapolis native cracked. “That’s okay. I’m old too.”

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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