Sugar. Honey. Baby.
I know I'm down south.
It may be for just a few months, but it feels like home.
I've never met most of these people before, but they shower me liberally with these terms of endearment. The more they do it, the more pronounced my southern drawl becomes. And somehow It makes me feel not so much loved by these perfect strangers as understood and acknowledged.
Home was Southern California, but my Mississippi-born mother raised me as a hybrid Southern Southern Californian. No beach kid ever ate as much cornbread as I did.
I grew up hearing hundreds of stories from my mother and her family. These tales were often funny, dark and tragic all at once. Little did I know I was being nourished on that literary genre known as Southern Gothic. The stories were often repeated, and each time I heard them at a different age, I found new meaning and nuance, the repetition rooting them in my brain like a poem memorized.
When someone up north says "To make a long story short", or worse "Long story short" or the unforgivable "Long short", all I can think is "Why would you want to do that?" Southerners want to hear the whole story with all the excruciating details. Don't leave out anything. I mean, it's not like we're in a hurry.
I know the north has its storytellers, even beyond Mr. Keillor, but the storytelling doesn't seem to bleed into the wheel-greasing exchange of everyday life.