Editor's note: Influential Black members of Minnesota's theatrical, musical, artistic and literary circles have joined together to create a collection of essays titled "A Moment of Silence." The project, which reflects on life in this troubled summer, is edited by performer/playwright Shá Cage and is produced under the auspices of the Playwrights' Center and the arts organization Tru Ruts. The essays, as well as a link on which to make donations to the project, can be found at blackmnvoices.com.
The essays are grouped under the headings Root, Fire, Kindred, Rivers and Air. We will be publishing a sampling of them over the next few weeks. Today's piece, from the Root group, was written by award-winning novelist and Macalester professor Marlon James.
Not long ago some Minnesotans wanted to rebrand this state as the North. It became something of a movement, but "north" also developed an aptness nobody could have anticipated. Because, as it turns out, we are the most northern of the North, not just in geography, but in the truly peculiar ways northern racism works, and how the police has sharpened itself to become the fine point of it.
Minnesota's call for "north" status reminds me of the comedian Dick Gregory's take on American racism, still the most succinct and dead-on analysis of race in American society I have ever read. He wrote in a 1971 issue of Ebony: "Down South, white folks don't care how close I get as long as I don't get too big. Up North, white folks don't care how big I get as long as I don't get too close."
Which for me always meant that in the South, white people can gaze at their own personal cast of "The Help" with genuine affection, but if Viola Davis goes and opens a beauty salon for Black people, they're surely going to burn that mess down, and everything around it, as if Tulsa was just a dress rehearsal. But in the North, Viola will get all sorts of grants to set up shop. Just don't set up in our neighborhood, and don't drive the property values down and us out, and don't be surprised when an officer beats down your husband because, though we met him 17 times already, he was still the threatening Black guy loitering in his own backyard.
But, I should have known that a man as wise as Gregory meant more than that. And, I did not realize until just now that big can mean less than 5 feet tall and close can mean 20 feet away, and how 10 years of living in Minnesota as a "big, Black guy" has led me to a gradual though futile reduction of myself. This reduction meant losing weight, not to get fit but to shrink that target on my back. I shrunk to a skeletal 174 pounds once, and white people still gave me a wide berth at the Mall of America. It was anorexia of a sort. No matter how skinny I made myself, in society's mirror I was still not small enough.
I leave the party as soon as I see a maximum of six white people drunk, because the only person who will remember that moment when somebody didn't mean to be racist will be me. I have a self-imposed curfew of when to leave the park and when to ride my bike home. I would rather risk my life riding late at night on the empty, and mostly dark greenway, than on the street with police officers looking for whoever matches the latest description.
I go out of my way to avoid police, because I don't know how to physically act around them. Do I hold my hands in the air and get shot, do I kneel and get shot? Do I reach for my ID and get shot? Do I say I'm an English teacher and get shot? Do I tell them everything I am about to do, and get shot? Do I assume that seven of them will still feel threatened by one of me, and get shot? Do I simply stand and be a big Black guy and get shot? Do I fold my arms and squeeze myself smaller and get shot? Do I be a smartass and get shot? Do I burst out crying and get shot? Do I shake too hard from being nervous and get shot? Do I try to control my nerves and get shot? Do I leave my iPhone on a clip of me on Seth Meyers, so I can play it and say, "See, that's me, I'm one of the approved Black guys." And still get shot?