LOS ANGELES – "The Kominsky Method" would be just another sitcom about men behaving badly if those characters weren't also engaged in TV's most brilliant "bromance."
Michael Douglas and Alan Arkin had never met before creator Chuck Lorre suggested that the two veterans team up to play two longtime friends, always ready to go to bat for each other, even if they have to stop four times to urinate on their way to the plate.
"I felt strangely comfortable with Michael the minute we started working together," Arkin said during a break from shooting the second season, which dropped this past Friday on Netflix. "As an actor, I like to touch people. I like to manhandle them. I like to play. And every once in a while, you wander into somebody who says, 'Please don't touch me' and you're dead for the next four years. But there was none of that here. It's gotten extraordinarily comfortable for me."
Arkin, 85, who plays a recently widowed talent agent, gets so amused by their scenes together that he's finding it harder and harder to keep a straight face.
"I've worked with Steve Carell three times now, and we can't look at each other anymore," he said. "I can feel that same thing coming with Michael."
The new episodes welcome some fresh faces, including Bob Odenkirk as a doctor specializing in suicidal thoughts and Paul Reiser as a former beatnik who rediscovers his passion for weed, but for my money the series could simply consist of scenes between Douglas' Sandy and Arkin's Norman, needling each other at their favorite steakhouse, where the waiters barely make it to their tables without the aid of walkers.
Douglas, 75, portraying a washed-up performer who pays the bills — and feeds his ego — by teaching an acting class, compares his relationship with Arkin to the one he had nearly 50 years ago with Karl Malden on "The Streets of San Francisco."
"I watched our first scene together and believed these guys have known each other for 40 years," he said. "That's just the wonderful magic of, I guess, good casting."