MGMT's Nov. 18 Wilkins show moved to First Ave

The "Time to Pretend" hitmakers might have been pretending they're too big for clubs.

November 7, 2013 at 11:26PM
(The Minnesota Star Tribune)
MGMT's reputation still might be hindred locally by its 2010 headlining set at Rock the Garden. / Tom Wallace, Star Tribune
MGMT's reputation still might be hindred locally by its 2010 headlining set at Rock the Garden. / Tom Wallace, Star Tribune (The Minnesota Star Tribune)

Hey, at least MGMT didn't cancel the show and blame "routing logistics." The psychedelic synth-rock band's Nov. 18 gig at Roy Wilkins Auditorium is moving across town to First Avenue, a sure sign it wasn't selling tickets – but inarguably a good move for the fans who are planning to go. First Ave's capacity is 1,600 people, compared to the Wilkins' 5,000. The acoustics are about 1,600 times better, too.

All tickets to the Wilkins performance will be honored at First Ave -- and there's still room for more, too. Extra tickets are on sale via the club's outlets ($29.50). Refunds will also be given at points of purchase if anyone can't make it to the new location, but concert promoter Jam Productions urged fans to turn them in before Nov. 15 "so someone else will have an opportunity to attend."

MGMT enjoyed a big coming-out year in 2007 with its debut album, "Oracular Spectacular," which landed the insatiably catchy hits "Kids," "Time to Pretend" and "Electric Feel" and earned the Connecticut duo a best new artist nomination at the Grammys. However, the follow-up album, "Congratulations," was notoriously dull, as was the band's headlining set at Rock the Garden that year. This year's wigged-out eponymous album also earned mixed marks and has failed to land any hit singles.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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