The guys in U2 seem to have found what they've been looking for: Intimacy with their U.S. audiences once again.
After spending the late 1980s and most of the '90s performing in gigantic stadiums, the Irish rock superstars have retreated to arenas for the current Elevation 2001 Tour, which arrives tonight at sold-out Target Center in Minneapolis. It was a decision designed to showcase the back-to-basics sound of U2's new album, "All That You Can't Leave Behind."
"For this record and for these songs, it wasn't really an option to take on a stadium tour," U2 bassist Adam Clayton said Sunday. "It was important for us to feel that connection with the hard-core U2 audience and to create an environment by having general admission where people could kind of get off and enjoy rock music in a very raw, physical state."
On the European leg of the PopMart Tour in 1997-98, the band discovered an intimacy that had been missing on the U.S. segment, where chairs were set up on football fields. In the states, it was less fun, Clayton said, because the people in the front rows "didn't necessarily want to get involved in the shows." In Europe, fans were free to roam on the fields.
So for this tour, U2 has made the seats in front of the stage general admission -- and the lowest ticket price ($46.50, whereas on the sides the tickets are $86.50 and $131.50).
Adding to the intimacy is the fact that the show is devoid of extravagant production touches such as the giant lemon, mirrored cars, mammoth video walls and the phone calls to the White House that typified U2's stadium tours. Clayton doesn't necessarily prefer the stripped-down approach, but it is easier because all he needs to do is concentrate on playing.
"This is definitely a more physical show," he said. Because there's no highly produced spectacle, "the audience seems to bring something themselves."
On this tour, lead singer Bono, who turns 41 next week, has sometimes body-surfed atop the faithful. "I don't think he'll do it if he thinks he's putting his body at jeopardy," Clayton said. "It's really a place he likes to get to in a show -- to try and get out there and rub shoulders with the people in the audience. It's important to him that he has that physical contact."