DULUTH — The Catalyst Content Festival taking over downtown theaters this week is a time to shine for creators hoping to get their passion projects picked up and shown to wider audiences.
And more than other film and TV festivals, it's a place where "the lines are blurred" between creatives and executives, making it easier to reach the people who can help make dreams a reality, said Dawn Mikkelson, broadcast content manager with festival sponsor WDSE.
"I think that's by design," she said. "As a filmmaker trying to go to a lot of festivals on my own, often you have to wriggle your way into the right place at the right time, whereas here they're actively working to connect people."
On Friday, halfway through the five-day independent TV festival's first run in Duluth, screenings, readings and workshops showcased works from around the world and, in many cases, around the state.
Projects in their infancy were read aloud at the Fitger's complex. One screenplay, for "Protect and Conserve," was a procedural based in northern Minnesota that followed a Department of Natural Resources office looking into a headless, bloodless animal found by hikers. Another, "Butterhead," was a dark comedy set at the Minnesota State Fair.
"It's not really about deep-fried food on a stick, it's not about the Midway. … What it's about is real people showcasing real skills," Duluth's Jean Sramek said about her take on the fair, which included the lines "Her name is Princess Kay!" and "They're not corn dogs!" (They're fried, battered hot dogs.)
Some of the finished films screened this week ran on the festival circuit — some even showing at Sundance — while others made their festival debut.
Minneapolis director and actor Maya Washington was looking at a broader truth with her piece, "Clear," about a woman released from prison after serving 16 years for a crime she didn't commit.