Making a statement with style

With the spotlight squarely on her, Bianca Williams strutted to the center of Penumbra Theatre's stage last summer.

"Now, society is trying to tell me that we are all people. And we'll be treated the same. Well, let me tell you a story of how hard it is to stand strong in your own name," the Hopkins High School senior proclaimed.

The stage was black and glossy under her feet, reflecting light on her strong and impassioned complexion. Walking with attitude, the second-year Penumbra artist dramatically moved as her story of encountering racism in her accelerated English class unfolded.

The teacher asked each student where he or she planned to go to college. Except Williams was asked an additional question.

"And how, exactly, do you plan on paying for college?"

As the only African-American student in the classroom, Williams took offense.

The storm of emotions poured out in her performance as she recounted the experience. Williams' angst, anger, confusion and surprise captured the audience's attention as her voice echoed and her glare intensified.

Silence followed the repeated shout. She continued her monologue with passion that could shake mountains.

Penumbra Theatre's Summer Institute equipped Williams with the strength to make a powerful statement on stage. The three-year leadership development program aims to teach teens how to translate their love for the arts into social justice and equity.

In essence, Williams and other students become activists.

"The goal of Summer Institute is that your students will walk out of here, and they will intervene in oppression wherever they see it," said H. Adam Harris, a local actor who serves as Penumbra's teen programs coordinator.

By teaching kids to speak out, and moving those who listen, Summer Institute shapes teens (ages 12 to 19) to be fearless and strong.

"You can't live life in blissful ignorance. You're continuously thinking. Your mind is always cranking. And it's a beautiful thing to be stressed out to change the world."

Summer Institute boosts the theater's efforts to prop up an enthusiastic generation of advocates. The program involves about 70 kids — 40 in Year 1, 20 in Year 2 and 10 in Year 3.

The decrease in accepted applicants per year is mostly due to the rigor and intensity of each successive platform, Harris said. To continue from Year 1 to 2, and 2 to 3, a student must be committed to furthering his or her skills at a high level of performance.

Year 3 also means an opportunity to perform a personally composed piece. Stowers, who has been part of Penumbra for seven years, presented a one-woman show titled "Orange" for her showcase. The play, about an exploration of identity, sexuality and love, was written, staged, cast and artistically controlled by her.

As part of her second year at Penumbra, Toria Hill, an Eden Prairie graduate, presented a personal monologue at the same performance Williams did. She chose to artistically address society's intolerance toward certain sexual identities.

The young artist's face flushed as Harris mentioned what Hill's mother shared after the performance: "I wanted to make sure she found a space that would celebrate her for who she was."

"It's an amazing place where all of these artists can come and feel like they are valued for the color of their skin, and also for their skill," said Harris, who stressed that youths are the perfect group to work with because they have time to "be developed into presidents and mayors and council members.

"We know this world that we live in is very different now, but at the same time, there is still work that has to be done. And that's where Penumbra kind of enters into the picture. We need to start thinking about Penumbra Theatre as a place where social justice and advocacy can really begin."