"I think you'll like this next one," Rod Stewart told the faithful on Friday night at Xcel Energy Center in St. Paul. "It'll be the last time you hear this."
Indeed, after a career stretching seven decades, the veteran Rock & Roll Hall of Famer is in the midst of his last North American trek in which he'll play a catalog of his hits. He's not retiring, but the 77-year-old promises future tours will be devoted to the Great American Songbook.
The number he was introducing for the last time on Friday was his breakthrough 1971 solo hit "Maggie May." A sad song about a young man hurt by his older seducer, it's been transformed into a karaoke classic and something of a drinking song. On Friday, Sir Rod began at a slow tempo, pausing between phrases to emphasize the pain of youthful romance.
As his band joined in, he picked up the pace, belting the lyrics like a heartfelt, heartbroken, confused school boy. Because he's Rod Stewart perpetual bon vivant, he danced a bit, led a clap along, swayed his hips and announced, "Here comes the mandolin." Never one to sit still even during a ballad, he kicked his legs, waltzed with the mic stand, shook his booty and, in the end, kept repeating "Maggie, I wish I'd never seen your face." A young heart scarred for life.
The crowd responded like it was the last time they'd ever see that face, with its prominent beak and rooster hair, deliver one of rock's all-time classics.
"Maggie May" turned around what had been a disappointing concert up to that point. The show had been too busy and too garish, as if staged by Baz Luhrmann. "Forever Young" became forever long thanks to an unnecessary "River Dance"-like tap dance and fiddle-and-drum segment in the middle. Later on, "Young Turks" got hijacked by the refrain of "America" from "West Side Story."
More importantly, early in the concert, Stewart's raspy voice seemed to be fading away, as if dulled by sandpaper. On the Motown duet "It Takes Two," his vocal partner obliterated him. On the Sam Cooke classic "Having a Party," Stewart missed his opening cue to start singing not once but twice. It felt like this concert was going to be a letdown like his last St. Paul gig in 2018.
It was time to get the Baz out on Friday, to jettison the glitzy Vegas-y backup singers and let Stewart truly focus on singing instead of merely playing the rock star, a role he's always performed at Oscar level.