They're an all-male acoustic quintet from Minnesota with a clunky name and a roster of hard-plucking string pickers. The guys have a few beards and pairs of sandals between them.
But as Pert Near Sandstone tunes up for its first-ever headlining set Friday at First Avenue, it's about time everybody stops comparing it to a band playing Minneapolis' premier rock club on Wednesday, Trampled by Turtles. Heck, I'm even breaking our weekly quota on Cabooze-graduating roots groups to stress the differences between the two acts (look for a feature on TBT in Sunday's paper).
For starters, the Trampled guys still have to consume beer out of bottles and cans at their rehearsals. On Sunday, Pert Near's members were pretty nearly drinking straight out of the brew kettles at Fulton Brewery's tap room, a godsend of a rehearsal space that came courtesy of clogger and washboard player Andy Lambert being the brother-in-law of Fulton's co-owner.
Then there's Lambert himself, a limber dancer who taps and slaps along at Pert Near's gigs, guaranteeing that the group stands out from just about any band.
"We still do great when we tour without Andy, but we always notice the difference," said banjo player Kevin Kniebel. "When he's there, it's instantaneous. The whole room wants to dance."
Most of all, the thing that separates Pert Near Sandstone from Trampled and a lot of the other string bands catering to rock fans nowadays is Pert Near's faithfulness to old-time bluegrass and folk music.
Even the dozen original songs on the group's latest album, "Paradise Hop," sound like they could've been written by coal miners or hobos in the 1920s. Never mind their modern references to collapsing interstate bridges and the like. Even their wild version of "I Am the Walrus" from 2010's "Minnesota Beatle Project, Vol. 2" album -- which became a calling card of sorts locally -- sounded like an old-timey barn-dance number.
"We really embrace being stewards to traditional string-band music, because we have so much fun with it," said Kniebel. "There's plenty of eclectic variety between the ragtime, jug-band blues, fiddle music and the string-band stuff."