Lips' strange transmissions

Wayne Coyne & Co. offered a set list that fit the truly trippy visual show.

September 20, 2010 at 2:42PM
(The Minnesota Star Tribune)
DAVID BREWSTER ' dbrewster@startribune.com       Sunday  09/19/10  St.Paul   Performance review of FLAMING LIPS, a psychedelic Oklahoma band known for wild shows.  ]      Wayne Coyne of the Flaming Lips throws balloons to his fans during his Sunday evening performance at the Roy Wilkins Auditorium in St.Paul.
(DML - Star Tribune/The Minnesota Star Tribune)

Compared to the first time I saw the Flaming Lips nearly (gulp) two decades ago, Sunday's concert at Roy Wilkins Auditorium was worlds beyond anything you could have imagined back then. Or at least it was visually. The wildest thing about their live sets back in the early '90s was a backdrop of 10,000 Christmas lights, which actually was pretty impressive. Sunday's concert offered nonstop eye-candy and hi-fi wizardry. I mentioned a lot of the colorful stage gimmicks in my full review, but I forgot to mention the giant sunrise-shaped Jumbotron backdrop and the most impressive gadget of the night: Wayne Coyne's giant "laser hands," which shot green lasers up at a couple of giant mirror balls and reflected out over the entire Wilkins facade -- including all the empty seats on the sides. Speaking of which: Did you no-show Lips fans stay away this time because you hate the Wilkins, weren't impressed by the new album "Embryonic," wanted to see the Dirty Projectors instead, or you thought the $45 price was too steep? Pavement ran into the same meager turnout there the previous Sunday, and in both cases it made the venue even worse off acoustically (more echo). That won't be a problem for the Arcade Fire show Wednesday, though, which sold out right away.

Musically, Sunday's show did hark back to early Lips gigs. Wild stuff. Here's the set list:

Worm Mountain / Silver Trembling Hands / She Don't Use Jelly / The Sparrow Looks Up at the Machine / In the Morning Of the Magician / Ego Tripping at the Gates Of Hell / I Can Be a Frog / Yoshimi Battles the Pink Robots, Pt. 1 / See the Leaves / The Ego's Last Stand / Pompeii Am Götterdämmerung / Sagittarius Silver Announcement / The W.A.N.D. ENCORE: The Yeah Yeah Yeah Song / Do You Realize??

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

See Moreicon

More from No Section

See More
FILE -- A rent deposit slot at an apartment complex in Tucker, Ga., on July 21, 2020. As an eviction crisis has seemed increasingly likely this summer, everyone in the housing market has made the same plea to Washington: Send money — lots of it — that would keep renters in their homes and landlords afloat. (Melissa Golden/The New York Times) ORG XMIT: XNYT58
Melissa Golden/The New York Times

It’s too soon to tell how much the immigration crackdown is to blame.