Two stories this week feed into the narrative of General Ongoing Awfulness. At first glance they don't seem connected, but just add a columnist who doesn't think he could get a full column out of either one, and bingo! Strange connections emerge.
Story #1: The Guthrie will permit tweeting during performances of an upcoming play; they'll be in a special Tweeting Loggia. Standard grumpy reaction: I don't have a smartphone. Can I bring in a cage of messenger pigeons? It's another sign of the decline of Everything, the intrusion of nattering trivialities into the temple of art, proof that our gadget-addled fidgety moderns cannot spend more than 90 seconds without stabbing their glowing rectangles, lest they twitch and sweat because they haven't shared something.
All true, but you say it like it's a bad thing.
While the ability to focus is a good thing, and hold on I just got an alert -- go on, I'm listening -- no, it's just a picture of a cake someone took in Costa Rica -- these devices do take you out of the moment, really. Theater depends on a communal delusion, I don't know if I follow this person, it's just all cakes -- I'm sorry, OK, what were you saying?
Right. Attention spans, social media, whatever -- there's absolutely no point in telling anyone you're at the Guthrie watching an amazing performance #TyroneFTW! and what's more, no one cares. If this is encouraged, the next step will be dropping a big blue Facebook "Like" button after every scene and encouraging people to throw tennis balls at it.
Don't we want people to turn off their devices? Surely you've seen those clever little spots in the movie theater imploring you to shut up while the movie is running, because a $350 million artistic project probably doesn't need you shouting, THOR, YOU JUST GOT TOLD! when Iron Man gets off a quip.
It's an old problem. When Al Jolson ushered in the era of talkies by saying, "Wait a minute, wait a minute," someone in the audience said, "Hurry it up, I got someplace to be." In Shakespeare's time, the groundlings no doubt chattered amongst themselves -- Hey, I'm sorry, I was out in the privy, I missed the answer to that "to be or not to be" question. What was it?
But here's the clever part: The theater is segregating the tweeters into a stall of their own. Now hold that thought, while we move to: