On April 19, right as scheduled, riveted viewers watched dogged officers hunting a fugitive accused of embracing extremist violence and a cautionary tale of how a few use social media for antisocial, and even sociopathic, ends.
Scheduled, that is, for the big screen. That night the premieres of "The Company You Keep" and "Disconnect," two Hollywood dramas with eerie echoes of the real-life news of the marathon bombings, simultaneously opened as the Boston drama reached its denouement.
Both films fell flat at the box office. Maybe that's because more than 42 million people — double a normal Friday-night audience — watched the news from Boston, which like most life-imitates-art dramas, was unscheduled.
To be sure, distinct differences exist between the big-screen fiction and small-screen news. But each featured the themes of trust in timeless virtues amid wariness of the virtual world.
The radicals on the run in "The Company You Keep" aren't young brothers like Dzhokhar and Tamerlan Tsarnaev. Rather, they're graying former members of the Weather Underground who no longer see the world in such black-and-white terms as they did in the 1970s, when their antiwar activism devolved into violence.
The movie's main character (Robert Redford) has been hiding in plain sight, though he's changed his name and his stripes: He's an attorney with a young daughter. Like Dzhokhar, neighbors never suspected his secret life.
Redford's character isn't the only one reckoning with how a peace movement ended up with an innocent killed. Others justify their actions then and since.
In an interesting inversion of his role as Bob Woodward, Redford is tracked by a young reporter (Shia LaBeouf), who stumbles onto an even bigger story. But ultimately, it's the film's FBI agents who are the societal center that holds. Decades after the radicals went, well, underground, they pursue justice.