If you wander in the woods around Minnesota’s lake-lined city of Brainerd, you probably won’t find a gingerbread house that holds a hungry witch, but it could happen.
At least that’s the premise of the Lakes Area Music Festival’s production of Engelbert Humperdinck’s opera, “Hansel and Gretel,” this summer’s centerpiece of a festival that’s growing increasingly operatic by the year.
“Opera has always been an integral part of the festival,” said German conductor Christian Reif, music director of the festival since 2021. “Now we have the amazing luxury of a full theater at the Gichi-ziibi Center for the Arts. We have the opportunity to be in the pit and to fully stage an opera.”
The 16-year-old festival opens this weekend, and, in addition to its production of “Hansel and Gretel” (Aug. 9-10), there will be a night of orchestra-accompanied arias and duets from singers in the festival’s resident artist program (Aug. 1) and festival-closing concerts of orchestral excerpts from Richard Wagner’s expansive “Ring Cycle,” presented alongside music from Howard Shore’s scores for the “Lord of the Rings” films (Aug. 16-17).
The final concerts might bring together the largest orchestra in the festival’s history. Brainerd has become a summertime destination for members of several American orchestras, particularly those from the Milwaukee Symphony Orchestra, St. Louis Symphony Orchestra and Minnesota Orchestra, but also New York’s Metropolitan Opera Orchestra and the San Francisco Symphony.
“It’s an embarrassment of riches, the musicians we’ve had,” Reif said. “For last year’s finale, Richard Strauss’ ‘Ein Heldenleben,’ I think five of the nine horns were the principal horns of their orchestras. It’s the same this year. These are really incredible artists. … There are so many who come back year after year. It’s always a great group of friends, and feels like family.”
One group that’s new each year is the cohort of resident operatic artists who use the festival as a bridge between their collegiate and professional careers.
“The appointment of Bretton Brown as the program leader and Samantha Malk as head coach in 2024 — both faculty at London’s Guildhall School of Music & Drama — has cemented the program’s reputation as a premier destination for young professionals,” said John Taylor Ward, the festival’s co-founder and co-artistic director. “We now receive more than 250 applications annually for just four singer spots.”