Kraig and Kirk Johnson have two big to-do's on their plates over the next few days: Saturday's memorial for their brother Kyle Johnson, who died Aug. 12, and Monday's Triple Rock gig by their band Run Westy Run. The timing is not coincidental.
"We thought since we're all going to be around, why not see if we can do a show and make it a kind of celebration?" Kraig explained of the Triple Rock show, which was only just booked last week amid all the other details the family has been dealing with after Kyle's passing.
"I don't think it will be a somber thing," he added of the gig. "It's not the memorial. It'll just be what we do."
Kyle, 54, had been in declining health for several years and was too sick to perform at any of the Westies' five reunion shows since the first at First Avenue just after Christmas – their first performance in a decade and a half. Not just a case of putting the old band back together, the string of gigs also reunited the three brothers, who were split between New York (Kraig), California (Kirk) and Minneapolis (Kyle).
"He rehearsed with us, but he just wasn't up to doing a show," Kraig explained, noting that Kyle did at least get to attend a couple of the gigs. He blamed his death on organ and kidney failure. "He was dealing with it for a long time. He'd get better for a while and you'd think he was doing OK, and then he'd get worse again."
The lone sister among the four Johnson brothers, Kelly Abernathy posted this on Facebook following Kyle's passing:
"His family was blessed with time to surround him with our love and support and say our goodbyes. On behalf of our family we would like to thank all his friends for their friendships, love and support that you shared with Kyle over the years. He holds a special place in our hearts and we will carry him with us in the days ahead. Kyle has a big heart and a kind soul and we will miss him so much."
Though never as legendary abroad as the Replacements and Hüsker Dü (who preceded them on the Twin/Tone and SST labels, respectively), the Westies did gain a fanatical following locally in the late-'80s with their rather crazed and unpredictable live shows. They also earned decent critical praise for their Peter Buck- and Grant Hart-produced albums on, loaded with a wild mix of danceable punk, psychedelic twang-rock and hard-grooving pop (and, sadly, all hard to find in stock nowadays).