In handing the reins of "Jurassic World" to director Colin Trevorrow, Universal Pictures was taking a major gamble.
The 38-year-old director showed tremendous potential with his first and only feature film, 2012's "Safety Not Guaranteed," but that was an indie sci-fi comedy with a $750,000 budget. "Jurassic World" is a special effects-laden, $150 million sequel to one of the most important movies in the studio's history, Steven Spielberg's 1993 classic "Jurassic Park," and critical to Universal's strategy for 2015.
Spielberg, who executive produced the fourth "Jurassic" film, said it was the ending of "Safety Not Guaranteed" that convinced him Trevorrow was his man.
"The last scene of that film, along with Colin himself, is what sold me," Spielberg said. "He was completely enthusiastic, both as a filmmaker and a fan, and he had a story to tell."
There are benefits for studios to going with an unknown or inexperienced director. They're less expensive and in theory more amenable to suggestions from executives, and can be backed up with strong second-unit directors.
But that lack of experience can also lead to green directors who are intimidated by more established actors and overwhelmed by studio input, budget issues, media demands and other distractions.
Despite the trade-offs, green directors land pricey major projects more often than you might think.