Tony Soprano made sure we'd never fuhgeddabout Journey.
Literally overnight, the San Francisco rockers became massive stars again in 2007 when their song "Don't Stop Believin'" aired at the conclusion of HBO's "The Sopranos," nearly 20 years after the band's last hit.
That 1981 smash went from an oldie to karaoke gold, a favorite on TV's "Glee," the closing number in the hair-band Broadway musical "Rock of Ages" and a sports venue standard.
As the band approaches its 50th anniversary next year, Journey is so confident that in concert, it no longer waits for the encore to deliver its signature song. On Monday at Xcel Energy Center, after two plodding 1980s pieces, it was time for the knock-out punch only 13 minutes into the show.
With Jonathan Cain's jaunty piano intro and Arnel Pineda's soaring vocals, "Believin'" became a gigantic kumbaya singalong like "Sweet Caroline." Everyone feels so good, so good, so good singin' about that small-town girl taking the midnight train to anywhere.
It was the emotional high point of the evening — and maybe the musical pinnacle, too, because the rest of the concert was problematic. In short, Deen Castronovo's kick drum was so loud that it drowned out many of Neal Schon's guitar solos, which is one of the attractions of a Journey concert.
Power ballads, including "Lights," "Faithfully" and "Lovin,' Touchin,' Squeezin'" fared more auspiciously. But still, the bass drum put more power than necessary in these quieter, more sensitive selections.
For a band that has had more personnel changes than the Minnesota Twins experienced this weekend, Journey probably needs to make one more — replace the sound engineer. Maybe a fixer from the Soprano family could, um, make arrangements.