We were rolling along to Kasson, a fine little town in southern Minnesota. There were four of us: myself behind the wheel, my friend, and in the back seat, her parents' ashes, which would be stowed away under the thick green grass of the cemetery lawn.
She looks out at the rolling fields and asks what the crops are, and I say, "flax, soybeans, linseed," because technically, it's true. Those are what crops are. Whether or not they're these crops, I can't say.
We passed some corn, and I heard myself say: "It's looking pretty good." As if I know. As if I'm Mr. Corn Evaluator from the State Corn Judgment Bureau up in the Cities there. I remember reading a story about how this year's crop would be bumper-sized, but what does that mean? I've never heard anyone say, "We're looking at half a bumper this year, thanks to some Kernel Smut and a late outbreak of Tassel Weevils."
I know a bushel is about 8 gallons, and a peck is 2 gallons. But I don't know if the corn I saw was good. It just came out, because I had a guest and wanted to impress her with the wonderful totality that is Minnesota.
Should have lied more, now that I think about it.
Really. She was mightily impressed with Minnesota, but if I'd fibbed more, it would've seemed like Valhalla. Looking back, here are some missed opportunities for creative embellishment:
The Dylan Mural. Not a big Dylan fan, personally. While I admire his longevity and craft, I've never been able to get past the fact that he sings like someone trying to blow a popcorn kernel out his nose. The mural is an impressive work, and livens up the street, yes — but we have this curious attachment to people who left here at the earliest possible opportunity.
What I should have said: "Important artists who have a deep connection to this town, however fleeting their tenure in its bosom, are often plagued with guilt for leaving us, and this manifests itself in strange ways. That mural just appeared one day, probably because Bob was thinking about how important Minneapolis really was to him. If you'd like we can take a helicopter and I'll show you how Lake Phalen has gradually assumed the shape of F. Scott Fitzgerald's head."