LOS ANGELES — Recapturing the magic of a stellar first season can be a daunting task.
"Atlanta" didn't even try. The FX comedy, one of the more critically acclaimed series of 2016, picks up Thursday where it left off, with Paper Boi adjusting to fame in the rap world and his cousin/manager Earn continuing to scrape together enough money to pay the rent.
But the sitcom has mainly abandoned the experimental approach of its rookie year — one entire episode was set on a Charlie Rose-like talk show — to embrace a more conventional form of storytelling. That doesn't diminish creator Donald Glover's ambition to explore the lives of black Americans from various economic backgrounds, searching for status in an urban environment.
"We didn't really look back at Season 1," said Glover, who earned one Emmy for playing Earn and another for directing. "I feel if you do that, as a producer of television or any sort of art form, you tend to be risk-averse, which I really think is bad for art. We never went into it thinking, 'Let's give the audience what they liked the first season.' We went into it like, 'Yeah. How do we make another season of a show I would want to watch?' "
Not that the show has become so formulaic that it could be mistaken for "Law & Order: Atlanta." By the third episode, one character has been the victim of the most polite stickup robbery in Georgia history.
"I think part of our game is just constantly making ourselves a little uncomfortable," said Hiro Murai, the series' principal director. "We thrive best when we slightly don't know what we're doing. So even though the stories feel a little more cohesive this season, I think we got to try a lot of weird stuff."
Murai and the writers insist that much of their inspiration came from "How I Spent My Vacation," a 1992 collection of "Tiny Toons" cartoons in which Buster Bunny and Byron Basset are chased by an escaped convict and engage in a psychedelic version of "Dueling Banjos."
You may think the reference is a joke — until you watch Thursday's opening scene in which the robbery of a fast-food joint shifts from a comedy of errors into an American horror story. Later in the episode, Earn gets trapped in a house with an alligator owned by his paranoid uncle, played by Katt Williams, stand-up comedy's equivalent of the Tasmanian Devil.