According to Brother Ali, if anybody was ever going to pull off an indie-rap all-star tour like Paid Dues, the only possible candidate would be Murs.
"He's sort of the one guy who's friends with everybody in the indie-rap scene, and everybody loves him," Ali said of his Los Angeles counterpart.
Talking to Murs two weeks ago, though, the rapper gave credit where credit is due on Paid Dues, which started as an L.A.-based festival two years ago but has transformed into an 11-city, 13-show tour this summer. The fourth stop on the indie-rap caravan is a two-night Minneapolis run Tuesday and Wednesday at First Avenue.
Murs vividly remembers getting a visit from the fire marshal during the inaugural year of Paid Dues. The event drew about 5,000 fans to the Shrine Auditorium (former site of the Oscars), and city officials were on full alert.
"They were nervous because, you know, it was hip-hop and a lot of kids," Murs recalled. "They were ready to shut it down, but the whole crew came in when Brother Ali was on."
Something pretty near miraculous happened then. L.A. officials found out what kids around the country have known for years: that not all types of hip-hop preach gang-bangin', bling-totin', drug-pushin' values.
"One of the fire guys said to my business partner, 'Gimme a Brother Ali CD, and we're out of here,' " Murs said. "Seeing Ali not only made them enjoy him, it made them say, 'Oh, this is not what we thought it was.' I credit Brother Ali for keeping Paid Dues alive."
It's a point already driven home locally by Rhymesayers Entertainment, the B-Girl Be Summit and the Twin Cities Celebration of Hip-Hop (which returns Aug. 17-19 to First Ave, a year after the proudly ignorant KQRS morning crew predicted it would go down in a flurry of bullet spray). But Murs believes the message still needs to be made in other towns.