How do you joke about the Sony hacking story? After all, it was an attempt at comedy that launched this whole sobering mess.
If you're Chris Rock, you joke about it cleverly but carefully. Promoting his new movie "Top Five" this week, he noted an added bonus: "My movie's very Korean-friendly. There are no jokes about North Korea in 'Top Five.' If you're Korean, go out and see 'Top Five.' You will enjoy it."
Given that the fallout over an unabashedly silly movie — "The Interview," which Sony shelved last week after a stunning cyberattack by hackers the U.S. has linked to North Korea — has escalated into a serious global situation, one would think comedy writers might be a wee bit skittish just now.
But they ARE in the business of satire, and this is one of the biggest entertainment stories in years.
And so, NBC's "Saturday Night Live" didn't wait long to bring up the scandal — in fact, it didn't wait one second. The show opened with Mike Myers returning as Dr. Evil from the "Austin Powers" movies, taking jabs at Sony, North Korea AND Hollywood. Oh, and Republicans, and "The Interview" actor James Franco's Oscar-hosting skills.
"There's already a GOP," Myers said, referring to the hackers who call themselves Guardians of Peace, "and they're already an evil organization." Referring to hackers' threats of terrorism over the movie, he said that wasn't necessary: "It's easy to kill a movie. Just move it to January." As for Franco, whose character in the film is tasked with assassinating North Korean leader Kim Jong Un, he noted: "The man singlehandedly almost killed the Oscars!"
Later, though, the show played with the idea that maybe it's all a little soon. Comic Bobby Moynihan appeared as Kim Jong Un on "Weekend Update," declaring he wasn't afraid. But then red target marks appeared on his torso, and he reversed course: "I'm Seth Rogen, everybody!" he said, trying to quickly mimic Rogen, a star and director of the film, before skedaddling off the set.
All in jest, but there probably IS a sense of "Is it too soon?" out there, says Janice Min, a veteran entertainment industry observer who oversees The Hollywood Reporter and Billboard.