How tragedy shaped comedy star Molly Shannon

Former "SNL" star gravitates to characters whose wholesomeness is often suffused with something darker.

Los Angeles Times
August 31, 2021 at 2:07PM
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Molly Shannon and Alexandra Daddario in “The White Lotus.” (HBO/The Minnesota Star Tribune)

When Molly Shannon played Mary Katherine Gallagher on "Saturday Night Live" in the late '90s, she hurt herself. A lot.

So complete was her dedication to the armpit-sniffing, monologuing Catholic schoolgirl she'd willingly throw herself into a pile of metal chairs. She'd wake up the next day and wonder where the cuts and bruises had come from.

"Isn't that weird?" says Shannon, 56, sounding genuinely mystified, in a recent video chat from her Los Angeles backyard. "I looked at it like punk rock. I was reckless, and because of what I went through, I just didn't care about anything."

Shannon is obliquely referring to the deaths of her mother, younger sister and cousin in a car accident when she was 4. Her father, who had been driving under the influence, survived but was horribly injured. She hasn't talked much publicly about the accident or its aftermath — it's not easy fodder for a late-night TV appearance — but it cast a long shadow over her childhood in Shaker Heights, Ohio.

"I was very heartbroken and very sad and just trying to hold it all together as a kid," says Shannon, who has two teenage children with her husband, artist Fritz Chesnut. "There's no way you could feel that type of deep pain about your mother and your sister being dead, so you just hold it all in, and it comes up later in life."

Shannon has gravitated to characters whose wholesomeness is often suffused with something darker and more complicated — instantly familiar everywomen with deep reserves of sadness and anxiety. While she's no longer crash-landing on dinner tables in the name of art — "I'm a mother and I want to be physically able to walk," she says — her commitment to her characters remains unwavering.

Last month, she appeared in two scene-stealing TV roles tailored to her brand of cheerful chaos. In HBO's buzzy summer satire, "The White Lotus," written and directed by her friend and frequent collaborator Mike White, Shannon appears as a society matriarch who intervenes in her son's disastrous honeymoon. And she returns as Pat Dubek, a grieving widow-turned-daytime talk show host, in the long-delayed second season of HBO Max's "The Other Two," created by former "SNL" head writers Chris Kelly and Sarah Schneider.

A forthcoming memoir, "Hello, Molly!," will delve into Shannon's family life and her lovingly complicated relationship with her late father, who came out late in life. After the accident, she and her sister went to live with their aunt while their father recuperated.

"The life that we left was not the same life we were coming back into. It just felt like everything was different. And I wanted my aunt to do stuff like my mom. I was like, 'No, my mom cuts the crust like that' " — Shannon angrily gestures chopping. "Everything made me mad."

Shannon found an escape in performance. In fifth grade, she became involved in professional children's theater, playing Dorothy in "The Wizard of Oz." She loved being around drama nerds, because "They were different than Catholic kids — more affectionate," she says. "They would hug you, and I missed some of that from not having a mom."

Shannon has "always gone for good work," says her former "SNL" boss Lorne Michaels. "It's not about plotting a career trajectory. There's something much more — I hate to use a word like integrity — but it's just clear: Her choices are cool. And she attracts people who are doing those things. She's one of my favorites, obviously."

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Molly Shannon in “The Other Two.” (Karolina Wajtasik • HBO/The Minnesota Star Tribune)
about the writer

about the writer

MEREDITH BLAKE