First it was delayed by the pandemic. Then white supremacist vandalism on its boarded-up front windows forced another postponement in September. Finally, this week the Hmong Cultural Center is celebrating the opening of a 1,200-square-foot museum on W. University Avenue in St. Paul.
"I feel very grateful because it has taken a long time for us to make it this far," said executive director Txong Pao Lee.
The windows are still boarded up, but replacements are on their way — a gift from 3M — along with new security gates, thanks to $20,000 from the St. Paul Foundation.
The museum quietly opened in early November for a soft launch after the sign damaged in the vandalism was replaced, but on Thursday, the new storefront space will officially welcome visitors to see exhibitions about Hmong culture, history, arts and identity, and to check out the small theater with a large flat-screen for showing documentaries. Due to COVID restrictions, the museum can accommodate only 15 people at a time.
The exhibition "Hmong Minnesota: Yesterday and Today" tells the story of the diasporic community. A 21-panel exhibit created by Museology includes new panels about Hmong food, Hmong New Year and Hmong sports and games, along with ones about the "Secret War," when the U.S. government recruited Hmong men to fight Laotian and Vietnamese Communists during the Vietnam War.
The Hmong began arriving in Minnesota in 1975 after the destruction of their homelands in Laos. Minnesota and Wisconsin have the largest concentration of Hmong in the United States. Currently the statewide community is at more than 66,000 people.
An interactive exhibit focuses on Hmong folk arts, including such instruments as the Qeej, a six-pipe mouth organ that plays a role in funeral ceremonies and weddings, the Ncas (a mouth harp) and a two-string violin. Visitors can scan QR codes to learn more, or swipe through iPads to get guided explanations.
Upstairs, where the original Hmong Cultural Center was located, a library boasts one of the most comprehensive collections of Hmong scholarly literature in North America, including 400 dissertations on topics ranging from intergenerational trauma to views on aging from Hmong and Chinese elders.