Hear the new Rolling Stones tune, "Doom and Gloom"

The band issued its first new song in six years today to hype a sorely needed new greatest-hits album.

October 12, 2012 at 8:57PM
(The Minnesota Star Tribune)
Charlie Watts, Mick Jagger and Keith Richards in 2010 at a screening of "Stones in Exile." / Evan Agostini, Associated Press
Charlie Watts, Mick Jagger and Keith Richards in 2010 at a screening of "Stones in Exile." / Evan Agostini, Associated Press (The Minnesota Star Tribune)

"Brown Sugar" called, and it wants its old riff back. Actually, the most remarkable thing about "Doom and Gloom" -- the first new Rolling Stones in six years, released this morning – is how un-sugary it sounds. After Keith's opening guitar grind, Mick goes on to riff heavily on war, poor kids, rich executives, etc., all topics befitting the title. The track was produced by longtime Stones cohort Don Was, and thus has a similar (dated?) sonic palate as the band's last few records. It's one of two new tracks that will be featured on a new greatest-hits package, "GRRR!," due out Nov. 13 for those 28 music buyers around the world who don't already own a Stones hits album.

What do you think of the song? Do you think the boys should make a whole new album with Was, or was his time up long ago?

Of local note for Twin Cities Glimmer Twin fans, the Parkway Theater in south Minneapolis will host the Stones Fest next weekend, featuring the first local screening of the new 1965-era documentary, "Charlie Is My Darling," on Oct. 19. Other Stones movies scheduled through the weekend include the recent "Exile"-chronicling doc "Stones in Exile," 1968's "Sympathy for the Devil" and various concert films from throughout the years, including the rare "Muddy Waters and the Rolling Stones (Live From the Checkerboard Lounge)." Click here for more details and the full schedule.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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