A train compartment out east, many years ago. Two Minnesotans sitting across from each other, one behind a newspaper. She thinks: is it him?
It's possible he'd caught a glimpse of her and wondered: is that her? After all, she'd been in the papers. She had a sitcom on TV for three years.
"I thought, well, that's him," she said, recounting the meeting last year. "That's Lindbergh. So when I got up to go I just had to say something, you know, and he looked at me and smiled, and I said, 'How was your flight?'"
She rolls her eyes and laughs, but it's just the thing one of her characters would have said - flustered, a bit forward, then knocking herself afterwards for such an obvious remark.
You know Lindbergh. The woman? Well, let's back up a bit.
Her radio career started in Albert Lea, writing ads. She started to frame the pitches as a conversation between a husband and wife. Ordinary folk, chatting like a million other couples who knew each other inside and out. If the voice on the air sounded like someone you knew, that was her gift as an actress; if the copy made you want to buy something, that was her skill as a writer. Somewhere along the line, between doing ads in Albert Lea and writing comedy for radio, she invented the sitcom.
It's time we give a hand to Peg Lynch, a pioneer of the airwaves who deserves to be considered as one of the most marvelous talents who got her start in this state.
She doesn't live here now, but we can make the case to claim her as one of us. U of M grad. Her mother was a Mayo nurse - personal nurse to Dr. Charles Mayo, as it happened. If the name isn't immediately familiar, you can blame the historians of TV and radio's golden age; they're all about Lucy and Jack Benny, neither of whom wrote their own stuff like Peg. Or you could blame a WCCO programmer who passed on her show in 1958.