Girl Friday Productions might be aptly redubbed the Thornton Wilder Playhouse. The small theater company that does a show every other summer has chosen "The Matchmaker," the most conventional of Wilder's three big theatrical hits, as its latest staging. It opens Friday at the Boss Thrust at Park Square Theatre in St. Paul.
This is Girl Friday's sixth production since 2005, and three of those have been Wilder. "Our Town" went up in 2007, and "The Skin of Our Teeth" followed in 2009.
Wilder wrote lots of one-acts, and his last novel, "Theophilus North," has been adapted for the stage. Plus, a Seattle company made a puppet-and-human version of "The Bridge of San Luis Rey" in 2006, so producer Kirby Bennett could keep this Thornton Wilder thing going for years.
"There are these themes of human resilience and human redemption in Thornton Wilder," Bennett said before a recent rehearsal. "We're attracted to the cosmic consciousness in his work."
The Ruth Gordon connection
With "The Matchmaker," Wilder was less on that stars-and-moon theme and more about the means of making a living. The play started as "The Merchant of Yonkers," which Wilder got to Broadway in 1938 with director Max Reinhardt.
The play flopped, but the writer kept poking at the story — mostly at the insistence of his good friend Ruth Gordon. The actor and her husband, playwright Garson Kanin, persuaded Wilder to elevate the relatively minor character Dolly Gallagher Levi into the central role. Of course, Gordon would play Dolly.
Wilder was fine with that, and director Tyrone Guthrie staged "The Matchmaker" in 1955. Gordon was nominated for a Tony. Guthrie won the award for directing.
The play was then stretched into the basis for Jerry Herman's blockbuster musical "Hello, Dolly!" in 1964.