Sky Macklay took an unusual path from the southern Minnesota town of Waseca to a career as an increasingly renowned contemporary classical composer.
Inspiration has come less from the prairie soundscapes and scenery of her childhood than the likes of zombie movies, the musical "Joseph and the Amazing Technicolor Dreamcoat" and those "inflatable, arm-flailing tube people" you see outside oil-change shops.
Macklay has made her name with chamber music that asks musicians to do unusual things on their instruments and inflatable sound-art installations that invite you to create music by plopping down on air mattresses. She's also written a chamber opera in which the three characters are a uterus and two spermatozoa.
Now she's returning to her home state for the premiere of a work commissioned by the St. Paul Chamber Orchestra.
"Disassemblage" is a piece for six musicians that will debut at this weekend's SPCO concerts at St. Paul's Ordway Concert Hall plus a free concert at the Capri Theater in north Minneapolis; it's the centerpiece of a program that also features SPCO violinist Eunae Koh soloing on Antonio Vivaldi's "Four Seasons." The SPCO will perform another Macklay piece, "Many Many Cadences," Oct. 29-31.
At age 33, Macklay is also a professor of composition, having just joined the faculty of one of America's most prestigious music schools, Johns Hopkins University's Peabody Institute. She spoke last week from her home in Baltimore, and I asked her when she knew that music would be her chief source of communication.
"When I really caught the music bug, I was 8," she said. "I was in a local community theater production of 'Joseph and the Amazing Technicolor Dreamcoat.' … I just remember singing the 'aaah-aaah-aaahs' in the song, 'Any Dream Will Do,' and hearing the harmony between us and Joseph, who I thought was this amazing, resplendent performer. Making that harmony really gave me a tingle in my spine. From that moment, I was really obsessed with music."
Soon she took up the oboe, grew more serious about piano, and became a music major at Luther College in Decorah, Iowa. So where did composition come into the picture?